Well, I champion all kinds of advances in technology – not least the advent of the ebook – however there is the ever present temptation that because we can do something that we should do it. The creeping digitisation of everything – from music to video, and now books – makes all of these media infinitely malleable to anyone who can afford a computer; a device that is becoming an universal ‘solvent’
I am returning to flesh out my contention that we are living through a new Renaissance, because I feel it helps me make sense of what I see happening around me, and I hope it may be of use to others out there…
Sunday past I went to a performance of Philip Glass’ 1000 Airplanes on the Roof in a hangar, at East Fortune in Scotland, that has been built around a decommissioned Concorde. It was a promenade concert – allowing us to walk around as the piece – a “melodrama in one act” – was acted out, and the music played…
In writing, and in other art forms whose expression occurs across a span of time, pace is important, however I feel that we are, as a culture, somewhat obsessed with it, and I would like to lightly explore why this may be so. Let me admit from the outset that some of my work has been criticized as moving along at too slow a pace, and so you may say: I would say this, wouldn’t …
For most of human history our facsimiles of reality were very clearly man-made representations: no colour we could produce or use could compare in subtlety or vibrancy to those in nature; no fabric could approach the glossy texture of a rose petal; nothing, not even the finest acted mimicry, could hope to capture an animal in motion. Reality in all its splendour remained unassailably enthroned beyond our attempts to emulate it. This hierarchy has, more …
The Master and His Emissary: The Divided Brain and the Making of the Western World is not a self-help book, nor is it one of those books of cod-philosophy that promise amazing (though ultimately ill-founded) insights into the modern condition. It is instead a carefully argued thesis meticulously supported by references to research, as well as by appeals to personal experience. Its core premise is that we possess a single consciousness, but two wills: one …
Even in childhood I was baffled as to why oil paintings sold in auction houses for countless millions, while equally exquisite works of art from other cultures seemed lucky if they fetched thousands. One exception is the ubiquitous ‘Ming vase’… examples of which appear in everything from Tin Tin to baroque palaces across Europe. Another are ancient artefacts, though these again seem to be valued less for their aesthetic qualities than for how close they …
Ai Weiwei’s Sunflower Seeds is currently showing at Tate Modern. A Chinese artist who has suffered severely for being politically outspoken, and who was the artistic consultant on the glorious Bird’s Nest Stadium at the recent Olympic Games, Ai Weiwei has produced a work that says much about China today and in the past. Consisting of 100 million sunflower seeds handmade from porcelain, fired at a high temperature, handpainted, then fired again. According to him: …
[update: been meaning to put a link to this Robert McCrumb article in the Guardian that seems to agree with my thoughts in this post.] A few days ago I discovered that the book I’m currently working on (working title: Matryoshka) is not in fact a novel, but rather a novella. Initially I was rather dismayed. After some investigation I realized that of course it was a novella – not only because it is going …
A friend sent me this. I had noticed this kind of thing happening, but had, rather quaintly, put it down to something to do with ‘film stock’, or the use of digital video… Beyond what Todd Miro says, what occurs to me is that this is yet another example of ‘virtualisation’… Before the advent of digital technology, filmmakers were forced to ‘push’ against the media they were working in… as artists in other media had …
