instagram

I’ve opened an account on instagram in preparation for the launch of the new Second Edition Stone Dance books and Ric Cross has connected it to this site, so that new posts will appear on the homepage.

My instagram account will start by providing a sort of ‘biography’—for anyone who is interested in my work history—as well as some stuff about my personal life, my dog Toby and my chickens, my bats and my bees, and even some film reviews. (heaven help us!)

Once I start launching the new books, I will distribute little visual bits and pieces on instagram—this is likely to be of more interest to new readers than to the rest of you who are already on my mailing list.

The images will be tagged to allow them to be separated into different streams. If you click on the tag #RicardoPintoWriter you will only get a column of posts relevant to my work. #RicardoPintoReviews will produce a stack of… you guessed it… reviews. I’m making this up as I go along. We shall see how it goes.

Stone Dance Second Edition Proofs

I have been hard at work on the Second Edition of the Stone Dance—it feels like an endless task but I’m getting there. Proofs of the first five volumes exist, and here’s a photo to prove it! :O). The sixth volume is almost at proof stage, but I put it aside so I can get my head around ‘marketing’.

The first volume is ready to go, and a proof of the second volume is out for proofreading. I hope to publish the first volume in a few weeks. The second will follow perhaps a couple of weeks after that, and I will release the rest, one a month, until all seven are out. There will be ebook versions of each volume.

WorldCon Dublin 2019—comments

Dublin was the first Worldcon I’ve attended—in truth I attend very few of these conventions. Given how much fun I had, I’m now wondering whether I shouldn’t attend them more frequently. 4000 people were supposed to attend, but 5500 came (6000 by some reckonings). A second building had to be hired at the last minute to accommodate the multitudes. We all discovered, quite early, that if you didn’t start queueing for an event early enough, you wouldn’t get in. There was a vast number of fascinating talks and discussions on every topic imaginable—and some not imaginable—and a wonderful concert, in a concert hall on top of the conference centre, with a full orchestra, that included a premier of some arias from a wonderful new opera with dance, composed and choreographed by my friends Gary Lloyd and Bettina Carpi, respectively, and based on Mary and Bryan Talbot’s graphic novel, Dotter of Her Father’s Eyes.

My old chum, Alan Campbell, accompanied me on this expedition—he had two trilogies published some years back with some success, but has been writing film scripts and part of my agenda was to encourage him to write a few more books.

I met a lot of old friends, and made new ones. I met some of my fans—which is always a delight.

People who have been going to conventions since before the Flood tell me that they are not what they used to be. I would be interested to know if you attend these conventions and, if so, what do you get out of them?

Worldcon Dublin 2019

Having a major (the major?) sci-fi convention materialize on your doorstep—well, across the Irish Sea rather than the Atlantic Ocean—seems an opportunity too good to miss. So, I’m going to be there from Thursday 14th to Sunday 18th of August—and would also be there on Monday if I hadn’t assumed it ended on Sunday. So, if you see me wandering around, do please come and say hello (assuming you’re there in the flesh rather than watching through some kind of surveillance).

I have been hard at work on the Second Edition of my Stone Dance trilogy (transforming it into a ‘septad’)—working so hard indeed that it is going to be a bit of a wrench to tear myself away to attend the con. News about the imminent release of the Second Edition will follow shortly after I return.

the Stone Dance Bible

Richard Cross and I have completed a rejigging of this website that includes putting the ‘support material’ for the Stone Dance into a stand alone SDC Bible. This ‘Bible’ has a sub-section for the First Edition and another for the Second—to accommodate their division into a different number of volumes. In the sub-section for the Second Edition you will see blurred versions of the new covers that I am working on.

Matryoshka published

I haven’t written here for a while, and I’ve not had a book published for even longer. That doesn’t mean that I have not been working and writing, it’s really just that I’ve been down various rabbit holes and am only now emerging. To mark my return I am pleased to announce that my science fiction novella, Matryoshka is to be published by NewCon Press on the 21st August 2018.

Matryoshka is a strange beast. It is the first proper book that I wrote after the 700K words of The Stone Dance of the Chameleon. As you may imagine, after 10 years struggling over such a colossal work, I was aiming for something shorter and breezier. As it turned out, I overshot by quite some margin, and Matryoshka didn’t even end up long enough to be a novel. Not that I see that as a problem: it seems to me exactly as long as it needs to be. Besides, I have come to the conclusion that it’s about time that there was a renaissance in short form fiction—though that may also be me coming to terms with my inability to write very fast—that if I am to have any chance of getting out a fraction of the ideas that I would like to before I pop my clogs, immense trilogies are not the way to go.

For such a relatively short work, Matryoshka is the result of a serious effort of world building. And though it may appear on the surface to be a fantasy story, it is built on some pretty hard(ish) science. Do give it a try and let me know how you get on with it.

cute puppy distractions…

I have got a new dog. We’ve been meaning to get a dog since our previous one, Ninja (named for reasons of being a tearaway when a pup) died. She only came to us when she was 13 – an old lady in dog terms. She died just over a year ago at 15. Early in those two years we grew to love her, and we mourned her when she was gone. We have now adopted another Parsons Russell terrier – this one an 8 week old pup we’ve named Toby.

Toby has only been with us since Saturday night, but it already feels as if he’s been part of our lives for ever. Even though he has turned our lives upside down, and has been keeping everyone from sleeping properly with his howling for his mum, he is, of course, an utter delight.

It amazes me that evolution has managed to so shape baby animals that they are incredibly appealing even across species. I wonder if anyone has done a scientific study of ‘cute’.

state of play

War in Heaven cover mockup

When I came back from Iran, towards the end of last year, it no longer felt the best time to dive in deep into something as challenging as my Persian book. Over the summer months I am far more sociable than at any other time of year, and thus more distracted. So, I decided it was best to set the Persian book aside and, instead, I threw myself into writing a sci-fi novel set in and around my home in East Lothian – a dark story somewhat in the John Wyndham manner. I was making good progress with this when a graphic novel project, that I had been working on in the background with my friend Adrian Smith, burst into life.

Writing, scripting and storyboarding graphic novels has turned out to be very natural for me – and, as I’ve written before, given how ‘visual’ my books have been thus far, this is hardly surprising. Adrian and I started off on a project called Malta in September 2010 – and, though I produced a complete design, and Adrian did perhaps half a dozen pages, somehow it lost impetus (though I am currently absorbing it into a new project that I am developing with Adrian). It was our first attempt to work together (after the work we did on Kryomek back in the 90s) and we both learned a lot from it.

Our current joint project, entitled War in Heaven, is the first of several books centred around our heroine Eve Ryman, and is our retelling of part of John Milton’s Paradise Lost. It is now complete and we seem to have found a publisher for it in a US startup called Madefire. Madefire has just launched an app for the iPad and publication would, initially, be exclusively on that platform.

into 2012

I came back from my adventure in Iran becalmed; no wind in my sails. It was foolish to expect to find those things I sought there; as if travelling were like going to a supermarket. Iran was a profound experience that I am still processing.

Soon after I returned, my dog, Ninja, died; at 15, a frail old lady by the end. Her kidneys failed. I cradled her in my arms as the vet injected her with an overdose.

Christmas came. I grumble every year and tell anyone who wants to listen (or who doesn’t) that I hate it. I abhor the way capitalism goes rampant. But this is only a layer thrown over the faded one the Christians, in turn, used to cover up the pagan celebration of the winter solstice. Beneath all the layers, there lies the hope and expectation, in the depth of winter, of the sun’s rebirth; the hope there is in the year beginning to swing back towards the light, towards the resurgence of Nature. This is a deep yearning, particularly in the North of the world. At this time I am forced out of my hermitic existence into the company of people, into the embrace and drama of family. Perhaps there too I (we) seek a rebirth.

A rat dug its way into my house and took up residence in its walls and ceiling. The beast never actually got into my house proper – into those parts I live in. Well, my sister claims she saw it towards the end of its ‘visit’ scurrying across the floor, but I wonder if that might not have been a mouse. We often have mice, but a rat seems altogether more threatening. Is it the folk memory of the Black Death that makes us so afraid of them? Apparently they carry disease, though I wonder if this is true of a country rat. Out here what is it that makes a rat, among so many other wild creatures, particularly odious? Even in the city, I would think that any disease a rat brings into our houses comes from the filth that we spread around us; perhaps we hate rats because they remind us too much of ourselves.

In spite of my, no doubt, sentimental love of the country and its beasts, I tried to kill him. But he outwitted me. Several times I found the trap snapped closed, with the tahini bait (I had run out of peanut butter) stolen. A couple of times I found a poor field mouse mangled in the jaws of the trap. When I tried to block his entry tunnel with rocks, he dug under them and, as if to mock me, took to racing about in my ceiling. Eventually I closed his tunnel with chicken wire. I think he’s gone now. By the end of his visit, I had become quite used to him. In spite of my ancestral fears, I wonder why I should resent some creature seeking shelter within the no-man’s land of the hollows in my house?

A gale blew a tree down over the power cable to my house. For three days we had no electricity. The thin skin of the human virtuality tore. The cold of winter seeped into my home. We scurried about trying to get things done before the sun went down – for, afterwards, though we had candles, trying to find anything, or do anything, was far more difficult. There was also silence. A profound and absolute silence. The rarest, strangest phenomenon: the one thing that cannot exist in the human virtuality is silence.

In the end, desperate to reconnect to that virtuality, I dug out the generator the previous owner had left, and that I had not laid eyes on in the four years I have lived here. Miraculously (seemingly so, for one used to electricity appearing ‘magically’ from the sockets in my walls), pouring gasoline into it, we could run the central heating, have showers, even power the TV for an evening. Very strange this business of converting gasoline directly into TV programmes. Also strange was discovering how much energy each system consumes: boiling a kettle caused the roar of the 4.8KW generator to rise to a screech.

So, with the skin of ‘civilisation’ torn back to reveal the cold, unforgiving and relentless reality beneath, I was left casting nervous glances towards the finite amount of gasoline I had disappearing, anxious it might run out before I had finished watching my programme.

So many of us now live entirely cocooned in the human virtuality, that it is almost impossible to see the underlying reality upon which we build our lives. Living in a house in the middle of nowhere, I would seem in a better position than many to glimpse that reality, yet it takes a storm for me to ‘really’ experience it – and what was my reaction? – a determined bid to reconnect, to force my way back into the cocoon.

a change of plans

I have decided to postpone my visit to Iran by three weeks.

What happened is this. I had been hanging around in London waiting for an agency in Turkey to arrange for me a train from Istanbul to Tehran. A few days ago I was sorely disappointed when they informed me that the weekly train, leaving next Wednesday, was fully booked. By then I was determined to make this train journey and asked them instead to book the next available one – leaving Ankara on the 5th of October. I was waiting for news of this when, through a friend, I made the acquaintance of Lloyd Llewellyn-Jones, who happens to be a professor at Edinburgh University specialising in Achaemenid Persia. In the middle of giving me inspiring advice about travelling in Iran, he told me that he was hosting a conference on Persepolis in Edinburgh in mid-October and invited me to attend.

At first I thought to continue with my original plan, but the temptation to go to this conference grew in me until, this morning, I told him I would attend. I have asked my Turkish contacts to book train tickets for three weeks’ time, and I will be returning to Edinburgh tomorrow.

I will try and report my experiences from the conference – apart from wanting to go for the content, I’m also curious to see what they’re like – I’ve read so many collections of papers from such conferences. My understanding is that the achaemenid community is quite small, and that these conferences are rare beasts…

I’m really rather excited at the prospect 🙂

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