coming up for air…

Thursday, July 8th, 2010

sitting on my new garden seat...

sitting on my new garden seat...

ok, anyone visiting this blog may well have noticed that I have recently disappeared without a trace. Some of this was due to the pressures of organizing my midsummer party – an annual event – and one upon which the sun shone :O) – In Scotland this is not something that can be counted on. The reason I host this is because the life of a writer can be very solitary and I have many friends that I love dearly but rarely see. Some indeed came from far afield – including Joanne who I have seen only once since we shared various mind-numbing university lectures in extremely abstruse mathematics. There are not enough of these events that, momentarily, provide a node where many people’s lives meet…

After that I went camping in the Lake District with some friends. This too is an annual occurrence – though, normally, we go off into the wilds of north-west Scotland – which wildness perhaps better suits my temperament…

Before all this madness began, I was having some difficulties with my ancient historical novel. I had started writing it, but it simply wasn’t ‘energizing’ me… I pulled my head free of it and surveyed the ‘view’… and discovered that I was doing it all wrong! I simply wasn’t being ambitious enough. I know, I know… look what a mess ambition got me in last time *grin* So, I’ve worked out what I need to do to my historical book to make it challenging enough for me and, hopefully, worthy of my readers’ attention… This said, I have put it aside for a while because I am working on another book. It came to me suddenly and I have vanished down a rabbit hole pursuing it ever since. It looks like being a cross between fantasy and sci-fi and is pleasingly bizarre and very strange – just how I like it! *wide grin* I am going to try and write this one quickly… but no promises…

I intend to resume a more regular pace of blogging… but, again, no promises…

Meanwhile, here is a link (it begins on page 12) to an article to which I contributed some muddled thoughts. It’s about Google’s ongoing attempt to put the world’s books online. Overall, this is a goal I tend to feel good about, but I am not at all sure that the way Google is doing it is a good way – indeed, I am a tad suspicious of Google’s motives… This said, I don’t really understand the issues well enough – for some reason, I just have not wanted to engage with them – not sure why, but there it is…

One final thing, I would very much like to put as many of these blog posts up in Portuguese… Though in matters concerning Portuguese editions I am prepared to muddle along in my rather dodgy Portuguese, I really couldn’t face trying to ‘translate’ a blog of this length. If there is anyone out there (or a number of people out there) who might like to do this for me, I would be very grateful…

oh, and I am going to FINALLY get round to responding to a number of comments that were left hanging…

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estar em Portugal…

Tuesday, May 11th, 2010
lançamento O Terceiro Deus - Feira do Livro, Lisboa 2010/ launch The Third God - Lisbon Book Fair 2010

lançamento O Terceiro Deus - Feira do Livro, Lisboa 2010/ launch The Third God - Lisbon Book Fair 2010

entrevista com/ interview with João Seixas

entrevista com/ interview with João Seixas

fila para a assinatura dos livros / queue for book signings

fila para a assinatura dos livros / queue for book signings

eu (e a Inês) assinar um livro / me (and Inês) signing a book...

eu (e a Inês) assinar um livro / me (and Inês) signing a book...

actualmente a assinar um livro / actually signing a book...

actualmente a assinar um livro / actually signing a book...

(version in English follows that in Portuguese)

Quando eu vim a Portugal, já não tinha estado lá à 18 anos… Eu não viajo muito, e quando eu saio da Escosia eu prefiro ir a sítios exóticos: Guatemala, Sri Lanka, Camboja etc – eu raciocino que quando estiver jovem suficiente para aguintar as condicões e climas destes pais vou visitar-lhos – e depois, quando estiver velhino, acho o tempo para viajar aos sítios mais próximos. Mas, quando eu cheguei a Portugal sabia logo mesmo que não é só um ‘sítio próximo’… Se querem entender o que Portugal é para mim só é preciso ler o capítulo O Fruto Proibido nos Os Escolhidos – o Jardim do Yden (pronunciado idén com uma ressonância pretendida com o Jardim de Éden) é a minha experiência de Portugal quando era uma criança… Mas, também, vocês, que sabem o que acontece no Yden, têm alguma compreensão de como, para mim, isso não é só uma associação com a luz…

Com um a certa ressonância poética eu, que vim a Portugal para lançar um livro extremamente escuro, pareça trazer comigo o frio e a escuridão do inverno *sorriso* Mas esse frio foi compensado pelo calor da recepção que recebi da minha família portuguêsa e o pessoal dos meus editors, Editorial Presença. Com amizade e profissionalismo, esse pessoal (Raquel Dutra, Inês Mourão, Ricardo Sabino e Raul Martins) organizaram o eventos na Feira do Livro. O João Seixas entrevisto-me com habilidade e a audiência ajudou-me – ainda assim, a dificuldade de falar em português sobre as matérias subtis e emocionais da Dança de Pedra canso-me muito. Não que estou queixando – foi uma experiência maravilhosa…

Depois hove a sessão de autógrafos em que eu tive o grande prazer em encontrar-me com alguns de vocês, meus leitores – alguns que já conheci de email ou facebook… é só uma pena que não tivemos mais tempo para falar… Talvez na próxima vez… :O)

Eu gostaria de agradecer todos que fizeram a minha visita tal um prazer…

When I went to Portugal I had not been there for 18 years… I don’t travel that much and, when I do, I tend to prefer to go to exotic place: Guatemala, Sri Lanka, Cambodia – with the justification that while I am young enough to be able to cope with the difficulties, discomforts and climate of these places that’s the best time to go an visit them – there will be enough time when I am old to travel to the nearby places. But when I arrived in Portugal I quickly became aware that it was not just one of those ‘nearby places’… If you want to understand what Portugal means to me all you need do is read the chapter entitled Forbidden Fruit in The Chosen – the Yden (as an intended reference to the Garden of Eden) is a representation of my experience of Portugal when I was a child… Though, those of you who know what happens in the Yden will have some comprehension how, for me, this is not merely an association with the light…

With a certain poetic resonance, it was I who, coming to Portugal to release an extremely dark book, seemed to have brought with me the darkness and cold of winter (the weather during my stay was unseasonably cold and wet – so much so that it probably stopped a lot of people attending the launch events). But that cold was more than compensated for by the warmth of my reception by my family in Portugal and the representatives of my publishers, Editorial Presença, (Raquel Dutra, Inês Mourão, Ricardo Sabino e Raul Martins) who organized the events at the Lisbon Book Fair with friendliness and professionalism. João Seixas skilfully interviewed me and I was helped out by the audience being able, with their knowledge of English, to span the infelicities in my Portuguese. Even then, with the difficulty of talking about the subtle and emotional issues in the Stone Dance, I was left drained. I’m not complaining – it was a wonderful experience…

Afterwards there was a book signing when I had the great pleasure of meeting some of my Portuguese readers – some of whom I already knew from contacts through email and facebook… it’s only a shame that I did not have more time to talk to them…

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car crash…

Tuesday, February 23rd, 2010
my vw golf after the crash...

my vw golf after the crash...

This weekend I was involved in a car crash. My partner was driving us southwards. As we came to a crossroads, another car, ignoring a give way sign, sped right in front of us. We hit it full on. It was thrown into a field, and we spun ending up some distance away facing west. There were two of us in our car, with our dog. There were five people in the other car, including one in a wheelchair. Amazingly, no one was hurt.

Various things have struck me about this experience all to do with safety. Firstly, that we have now forced our car manufacturers to produce cars that can bring its passengers through a crash of this magnitude without harm. Secondly, that because we and the other car have insurance, our car will simply be replaced. So that, sitting here now, it could almost be as if it had never happened. Again, our culture has managed to transform reality into virtuality.

Consider, by contrast, what has happened recently in Haiti. Poor people can’t afford insurance. So that when disaster strikes them, it is far from virtual. So that it becomes clear to me just how different my mindset is likely to be to that of a Haitian; how much his/her world must be one filled with anxiety, fear even. Whereas, cushioned by the wealth of the Western lifestyle, I live in a world in which the only fear is often some vague notion that something like cancer will get me one day… unless, of course, the great god Science should come up with a miracle cure…

How can someone such as I, living in the ‘virtual’ world, really comprehend the life of people living in the ‘real’ world…?

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University of Edinburgh Freshercon…

Friday, September 18th, 2009
speech card...

speech card...

It was only when I arrived outside the venue for this event that it occurred to me that I should have announced it here, on my blog. Not entirely sure why I didn’t… Apologies if you might have wanted to be there but weren’t…

This talk was specifically for freshers (students coming to university for the first time) with a view of encouraging them to join the university’s Science Fiction and Fantasy Society. It was well attended. I read some stuff from the various Stone Dance books and talked a little about who I was and how I had got into writing…

I talked about Tolkien and Moorcock: how the former inspired me by his method and approach; how the latter reinforced my own desires to escape from the tyranny exercised by ‘feudal Europe’ over fantasy. I talked about how dated Tolkien’s ‘black hat/ white hat’ characterisations can be – that though this polarized view of reality might perhaps be natural to people living through the two World Wars and who were still deeply influenced by Christian dualism, but that today I felt it necessary to take a more subtle, nuanced position. I touched on Dune, Ursula le Guin, Ray Bradbury and Gene Wolf. Then I moved to discussing the renaissance that seems to be occurring in speculative fiction generally.

Finally I launched into backing up a claim that speculative fiction could be seen to at the centre of our culture – and rightly so… My basic argument went like this. It seems to me that sci-fi explores possible evolutions of our cultural envelope in a cognitive projection from where we are now, on into the future… Fantasy on the other hand explores the inner world of our psyche. I talked here a bit about Jung’s archetypes and his notion of the collective unconsciousness – the deployment of which makes a story about everyone, and no one in particular. I pointed out that, in some ways, these two categories are pointless as there is much fantasy that appears to be sci-fi (Star Wars being an example) and sci-fi that may appear to be fantasy (the Stone Dance being an example…), that what really mattered was that the reader lay at the heart of these categories… perhaps even squeezed between their boundary as a fluid mix of her/his internal and external worlds… her/his present between the future and the familial past… I then railed a little at the ‘speculative’ ghetto… and pointed out the rather interesting fact that the only area in which fantasy/sci-fi is not a second class citizen is in children’s books: Harry Potter, Pullman, for example… is this not, perhaps, suggestive?: that in a world that is changing faster all the time, those who remain childlike longer – curious, learning, adapting – will cope the best… Thus it seemed to me that it is speculative fiction that best addresses the issues of the ‘now’ and can provide insight, guidance and, even, consolation…

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Margaret Atwood / China Miéville

Thursday, September 3rd, 2009

I went to the launch of Margaret Atwood’s new book Year of the Flood primarily because my partner was singing at it. It was held at a church in the centre of Edinburgh and was very well attended – so well that I had to queue for returns – and only got in because a kind American woman gave me her ticket…

What followed was a rather uninspiring affair. Atwood read passages from her book, the choir sang the ‘hymns’ she had invented for it and some other volunteers acted out parts – again, from the book. What struck me was that the whole thing sounded like an episode of Survivors- to be fair, I want to make it clear that I’m saying all these things without actually having read the book though, on the basis of what I experienced in that hour, I’m not likely to.

I have read two of Atwood’s books – Alias Grace – that I can remember nothing about – and The Handmaid’s Tale that I thought was brilliant… So I’m not saying the woman can’t write… but what get’s my goat are the claims that she persistently makes about her more recent writing ie. that “it’s not science fiction”… I listened to her being interviewed by Mark Lawson on Front Row where she said – several times – that the reason this new book of hers was not science fiction was because science fiction had things like “talking squid” in it. With that term, I feel she betrays herself. To dismiss all of science fiction as being the kind of writing that might have a talking squid in it (not that I have anything against squid, talking or otherwise!) is either profoundly ignorant, or disingenuous. Of course I understand why she struggles so hard to distance herself from the genre – more often than not, writing in the genre leads to work being ignored both by critics and reviewers and thus by many readers who might well enjoy it. (The success of Atwood’s ‘speculative fiction’ would seem to suggest this might be true.) Of course it is because my own work has suffered this fate that this issue makes me angry. So, I understand that Atwood is behaving like this to protect her own interests, but what I don’t feel is acceptable is that she should do so by dissing science fiction and those who work in that genre… Being dramatic for a moment: history is littered with examples of the persecuted joining the ranks of the persecutors so as to save themselves…

Ursula Le Guin, a writer of the first rank whose many brilliant books are dismissed because they are classified as science fiction, puts this better and with more grace in her recent review in the Guardian. Perhaps it would be wise for me to defer to her (qualified) praise for The Year of the Flood though I wonder if it wouldn’t sink without a trace were it sold as science fiction, if only for the reason that the post apocalypse novel is already a venerable tradition and has been done brilliantly by many authors – however surprising such a concept might be to Atwood’s ‘literary’ readers *grin*

Imagine then my relief when I went off to listen to China Miéville being interviewed (by Stuart Kelly). Here was someone who is happy to tell anyone who wants to listen about his fascination with creatures with tentacles. He is also someone who writes fresh and literate books on the cutting edge of genre fiction. In fact, his books have had the tendency to cut through the edges of the various genres that attempt to contain them. His latest book The City and The City punches its way out of fantasy/science fiction into another genre, crime. Miéville read passages from various books – including one of startling invention from a work in progress. All of it was far more engaging, both linguistically and in its ideas, than anything I had heard from Atwood. Kelly wondered out loud when Miéville might win the Booker Prize – but we all know this is unlikely because such awards are not for genre writers…

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