9/11 in a Mexican jungle…

Sunday, September 11th, 2011

On the 11th of September 2001, we returned from a miraculous day wandering, eventually barefoot, through a jungle in the Mexican Yucatan, led by a Mayan girl to waterfalls that tumbled down steps gouged into smooth bowls in the soft limestone. Between the trees enormous blue crabs scuttled. At last, exhilarated, we found ourselves in the girl’s hut, a circular house with a palm frond roof and an earth floor and, bizarrely, satellite TV. As I politely handled bracelets and necklaces the girl and her mother had made, bright seeds and pods strung on wire, I was distracted by an image of furious violence on the screen; a skyscraper being pierced by an aircraft blossoming a fireball and smoke. I thought it was something from a James Bond film that I had not seen before. But my partner seemed alarmed and something about it did not look like a film.

As we were driven back to the hotel we had left the day before, we talked about this incredible thing we had seen, having learned from the driver that it was an attack on New York. We picked up a hitchhiker, a man in his fifties, an American. We asked him if he’d heard the news. He told us that he had, and that two of his children were in the towers.

Back in the hotel we located a TV in a corner of a lounge. We turned it to CNN and watched the news, trying to make sense of what was happening. Other guests, a Mexican family, asked for the sound to be turned down because it was disturbing their game of cards.

Over the next few days we exchanged emails with our family and friends back home. Amidst the calm and the heat of the Yucatan, hysteria and fear poured at us from those communications. American airspace had been closed down and the airplanes of the carrier that had brought us to Mexico were grounded. We talked about whether we should try to get home; whether we would even be able to get home. None of it felt real.

We decided to continue our holiday, daily hearing more from the UK of the terror and fear there. Around us everything was serene. A Mayan woman described in the guidebooks the tourists carried, a woman who stood in a particular square holding a bright parasol, took us, with others, into the homes of local people, poor people. People who, having little, had crates of Pepsi that they used as a sacramental fluid in their religious rituals. Our guide had the demeanour of a saint as she told us about the lives of her people, and of the terrible civil war that had recently ravaged their land. Afterwards, we asked her if she had heard of the attack in New York. She had. I asked her what she thought of it. She said she was sorry for the loss of life, but that the Americans had brought her people a lot of harm, and to so many others in Latin America. She felt that this was something they had coming. What they were suffering now others, vastly more than had died in New York, had suffered. She asked me: Why is their suffering more important than that of these other people? She said that she hoped it would make the Americans open their hearts to others, to use their power more responsibly, to be kinder…

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the Song to the Earth…

Saturday, May 1st, 2010
keyhole at Glastonbury © Michael Ely

keyhole at Glastonbury © Michael Ely

Ten years ago, at a conference in Maastricht, I ran into an American fan of my work who asked me if I would put some examples of Quyan speech on my site. I told her that I would…. soon…. Well, this isn’t really ‘soon’, but here it is (at the bottom of the page) nonetheless.

Forming part of the ritual of the Apotheosis, I have – rather melodramatically – added reverb to indicate something of the acoustics of the Pyramid Hollow. I’m afraid that it’s not very well ‘acted’ – but it was hard enough for me to speak it at all!

The Song to the Earth actually predated the writing of the Stone Dance. I didn’t fully understand what it meant at the time, though I did feel that it needed to go at the beginning of the trilogy. Later, I came to realize that it was the key that unlocks the puzzle that is the Stone Dance… as it is also unlocked my psyche…

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a review by Caroline Mullan…

Monday, January 25th, 2010

Eastercon 2007 - Caroline (centre)

Eastercon 2007 - Caroline (centre)

A friend of mine, Caroline Mullan, emailed me a review of the Stone Dance and though I might have wished that she’d enjoyed the books more, I liked it enough to ask her if she would mind me putting it up on my site – and she was kind enough to agree…

(I have appended an extract from my email reply to Caroline as a comment on this post…)

The Stone Dance of the Chameleon – Ricardo Pinto (1999, 2004, 2009) – a review by Caroline Mullan

This is a very long trilogy, each volume of which has over 700 pages.

The first volume, The Chosen, was published in 1999, and my partner read it and was impressed (My partner is not often impressed). The second, The Standing Dead, came out in 2004, and I bought copies of the first two in paperback so that I would have the trilogy to read when the final volume appeared. The last, The Third God, was launched at Eastercon last year, by Ricardo in person, and we have the hardback Ricardo inscribed. So, I have read all three volumes back-to-back and feel entitled to an opinion.

I, too, am impressed. But I wish I liked them better.

We first meet our hero Carnelian aged 15, secure among his family in his childhood home, greeting unexpected visitors. With breathtaking speed his home is dismantled round him, and he embarks on the two thousand page journey across his world that will take him to adulthood, and bring him to full knowledge of good and evil. He travels as a child, initially, subservient to powerful others. Later he makes his own decisions and choices. Throughout, his acts arise from ignorance and hope, and are undertaken without knowledge or understanding of possible consequences. His journey has disastrous consequences for his world. (I think this is quite rare: Stephen King’s The Stand might come close, but even in fantasy few authors grant their protagonists such powerful destructive agency.) Carnelian’s journey and his world’s catastrophe proceed inexorably and entirely convincingly from their premises to their conclusions.

Carnelian himself is an ignorant, spoiled, self-indulgent brat who takes a very long time to grow up, and there were times when I wanted to throw the book across the room in order to avoid another episode of his repeated, tortured indecision. (Thinking as I write this, I realise that I should have more sympathy for someone refusing to grow up, but that was not how I felt at the time.) Even the best of the other characters
are scarcely more sympathetic, and the worst are fully-realised monsters of tyranny and cruel self-indulgence. The books are violent, unpleasant, and filled with people damaged physically and emotionally from living in a brutal and dysfunctional society, saturated with and fascinated by death and its surrounding rituals.

However brutal or macabre, Carnelian’s world is fully-realised, its landscape, people, economics, politics, sociology and iconography developed rigorously and convincingly as a fascinating, working world. It is this discipline, this rigour and this fascination (the fact that the book is science fiction, rather than fantasy, if you will) that kept me reading to the convincing and bloody end.

(In interviews, Ricardo tells us that he spent years in therapy in order to be able to complete these books. I first met him at the 2008 Eastercon, where we talked about reading Tanith Lee, and Jung, and I’m not in the least surprised.)

Despite taking twelve years to write, this trilogy is all one book. Despite being all one book, the three volumes are very good at taking their individual stories forward without requiring continuous checking back for detailed knowledge of the previous volumes. Technically, it may be one of the best-constructed trilogies I have ever read.

So I cannot in honour recommend you read this trilogy for enjoyment. But as a work of literary art, I think it will stand the test of time, and as an exercise in building and revealing a world it is superb, and on that basis I will recommend it unreservedly to those who read for those qualities. But make sure you can set aside long hours to read it. You will need them.

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my nephew’s tattoo…

Monday, November 23rd, 2009
blood-taint tattoo...

blood-taint tattoo...

Somehow, one of you found out about my nephew’s tattoo (no doubt I mentioned it somewhere) and asked me to see it. So here it is. It is Carnelian’s blood-taint though not as it would be expressed, in scars, on his back – who would have his mother’s taint and his father’s running down either side of his spine…

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