a new renaissance?

Wednesday, September 21st, 2011

a concert under Concorde...

Red Note Ensemble playing Philip Glass, Lammermuir Fesitval 2011

Sunday past I went to a performance of Philip Glass’ 1000 Airplanes on the Roof in a hangar, at East Fortune in Scotland, that has been built around a decommissioned Concorde. It was a promenade concert – allowing us to walk around as the piece – a “melodrama in one act” – was acted out, and the music played. I found the conductor Jessica Cottis to be more worth watching than the actor. She conducted Red Note Ensemble – a small chamber orchestra consisting of synthesisers, some wind instruments and a soprano – with amazing control, delicacy and precision: the whole a tad surreal as the musicians played beneath the belly of the giant ‘paper dart’ of the Concorde.

This was as mesmerising a performance as I have seen anywhere – not unworthy of New York, never mind rural Scotland! It was part of the Lammermuir Festival (my little house nestles in the foothills of the Lammermuirs) that is only (as far as I understand) in its second year and, from the size and enthusiasm of the audience, I can hardly believe it will be it’s last. That such an ambitious undertaking should even be attempted in the countryside near Edinburgh, and so soon after that city’s own massive festival, left me pondering…

Ever more people live on this planet of which an ever increasing proportion are becoming ‘educated’. Consequently, audiences for all kinds of art are swelling, as are the cohorts of artists and performers producing that art. That these ‘creators’ must surely form a normal distribution implies that there must be unprecedented numbers that are extremely skilled – including the Red Note Ensemble and their excellent conductor.

These things taken together may perhaps suggest an explanation as to why rural East Lothian might be capable of supporting an arts festival of its own. Could we be living in a new renaissance? Certainly there is more of every kind of art out there than there has ever been, and more people able to appreciate it. But perhaps more is less. Is so much art now being created that it is in danger of becoming a consumer product like any other…?

This was written a couple of days ago on the train down to London. Subsequently, I found that there was no wi-fi at my friend’s, where I am staying. Though he is wealthy, he is also a canny Scot and he refuses to pay what he considers to be an extortionate rate *grin* My mobile phone isn’t getting a dependable signal either, so that perhaps another conjecture could be floated considering the relative technological merits of rural versus metropolis…

Also I have been adapting to using my iPad as my sole computer, obtaining my visa from the Iranian Consulate, and investigating the possibility of flying to Istanbul from where I would take a train from there to Teheran… The prospect of a three day journey across Asia Minor is hard to resist :)

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50 in New York…

Sunday, February 13th, 2011
ricardo in Times Square...

me in Times Square...

snowy Manhattan from the Empire State Building...


downtown Manhattan from the Empire State Building...

Something I’ve rabbited on about before is how the world is homogenising – the more I travel, the more it seems to me that everywhere is becoming the same. If this is even true for Sri Lanka, then how much more so is it for travelling between the UK and New York?

But before I go into that (I think this is going to become quite a ramble, but hopefully you will forgive me, now that I am becoming so very aged *grin*), I would like to lay before you a rather brilliant observation made by the peerless historian Arnold Toynbee that seems to explain why globalization naturally leads to cultural homogenisation.

Toynbee points out that this has happened before: in the Neolithic a flint spear point in western Europe would be indistinguishable from one being made on the same day in China. This is because, at that time, whatever innovations in technique these spear points might incorporate, the rate of innovation in technology (and culture) was far slower than the rate at which news of it could be spread. Once this rate of innovation started speeding up to be faster than the rate of spread, then regional cultures started emerging – the innovations piling up locally faster than they could spread to other cultures. Thus China became very different from Europe. However, in the past hundred years or so the rate of spread has dramatically increased – even though the rate of innovation has also sped up. With the internet anything innovated anywhere can quickly become known to everyone everywhere. So, welcome to the New Neolithic! The Cyberlithic where our stone tools now consist of silicon chips *grin*)

New York is of course remarkable – though perhaps as much for its associations as for what it actually is. It has been for so long ‘the’ world city that we all of us think we know it. There are people everywhere who probably have seen more of New York (through Hollywood’s charmed eyes) than they have the capital of their own country.

I had never been there before, and so there was that strange shock of seeing in reality that which I had seen in so many other virtual ways. The relationship of one thing to another, the geography, the relative and absolute scales of things – these were all different from those I had arrived with in my head.

I did all the touristy things – it seems only polite on a first visit. It was particularly cold, more so even than in Scotland! so I’m not entirely sure I saw the city as it is typically. New York is impressive – how could it not be? Wonderfully cosmopolitan – though perhaps not more so than London with which I am familiar. It has the same range of treasure houses – the Metropolitan Museum, for example, and the glorious (and vainglorious) examples of architecture that wealth adorns cities with. For some reason I kept on thinking that this would be how Babylon might have appeared to an ancient visitor – but then Babylon is perhaps much on my mind. Perhaps what most distinguished it for me from a European city is some of its infrastructure: Paris would be embarrassed to have her bowels riddled by the New York subway. Though simply functional it lacks some of the civic care and elegance that would be lavished on it by a European capital. One surprise: I had expected natives to be rude – that’s the cliché – but they weren’t. In fact the New Yorkers I encountered were the friendliest people I have come across in any Western city…

It was my birthday that led me on this winter visit to New York. A 50th should probably be made a fuss of, but I couldn’t bear having anything organized at home. Too much pressure. Besides, I’m really rather shy about attention – not so attention for my work!! *grin* In one way 50 is just an arbitrary number – if we counted in base 12, then the significant birthdays would be 12, 24, 36, 48, 60… and I would still be in my early 40s *grin* Not that I am trying to deny that there is something significant in these time markers. Jung had an image of life as being like a single passage of the sun through the sky. We are born and then, for the first half of our lives, we ascend, growing ever brighter, seeing ever further. When we reach our midday that is as high as we go, as bright. Thereafter, we begin the slow fading to our sunset. No wonder then that so many of us have ‘mid-life’ crises. Clearly, psychically, something profound happens to us as we near the midday of our lives, and once we become aware of our inevitable decline. Jung maintained that the morning of our lives, though filled with struggle, is relatively straightforward. It is the afternoon that it is difficult to deal with. And the secret of a good life is how we handle that. I passed my midday a while back (however much our lifespans are lengthening) but I am still coming to terms with being in the afternoon of my life.

Showering before going to catch my flight home, I began thinking of the life I was returning to. It occurred to me how strange it was that I should be thinking nothing of the crossing of the Atlantic. This vast ocean that for so long kept the Old and New Worlds apart, the crossing of which had profound effects that we still are living through. Images crossed my mind of all the people to whom that crossing was one way – and a vast, frightening and dangerous undertaking. That I had mentally ‘skipped over it’ shows again just how virtual our world has become. In the West we so rarely exit the envelope of human reality that often the ‘actual’ world hardly seems to be there at all. And even as New York seemed to me not very different from London… soon it will not seem so different to Cairo, Nairobi, Shanghai… And yet, even if I rode the virtual teleport of my aeroplane back home (admittedly a rather tedious teleport lasting 6 hours), this did not mean that below me there was not thousands of kilometres of cold heaving ocean.

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eastercon report…

Wednesday, April 14th, 2010
ricardo using his patented glass blowpipe against Alastair Reynolds © 2010 Jaap Boekestein

ricardo using his patented glass blowpipe against Alastair Reynolds © 2010 Jaap Boekestein

These sci-fi conventions are a strange experience. Imagine, if you will, the life of an author (this author, certainly): locked away in a remote, country retreat working away quietly, patiently – who is suddenly transported to a hotel consisting of a labyrinth of rooms occupied by at least 1400 extremely diverse people, many luminaries (not only authors and artists and critics, but professors of various kinds, editors of prestigious magazines and newspapers etc etc), and endlessly flowing beer (and some rather lethal cider!).

This year I decided to go to the convention too late to be included on any panels. This had the positive effect of giving me much more time to wander about talking to people. I caught up with some old friends and made some new ones. Conversations were continuous and diverse. Of the events, I particularly enjoyed talks given by Iain Banks and Alastair Reynolds.

These experiences were coupled with a few days in London (where, amongst other things, I went to see an exhibition of sublime bronze heads from Ife in West Africa), a meeting with my agent Victoria and catching up with friends and family. All in all, it was quite a trip, and one whose experiences I am still consolidating…

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a visit to London…

Friday, October 2nd, 2009

I have just returned from 8 days in London. I hung around in the British Museum and there saw an exhibition on Moctezuma. None of the really big artefacts displayed in the museum in Mexico City were there but it was still impressive enough. There is something about the Mesoamerican aesthetic that seems to me incredibly fresh – and strangely modern – almost Art Deco…

London is an intoxicating metropolis: layer upon layer, like paint thickly applied to canvas – not just of structures, but the people too – of every kind, from everywhere…

As part of my struggle to walk away from the Stone Dance, I met up with my editor, Simon, and my agent, Victoria – trying, with their help, to feel my way to new work. Although I am not ready yet to talk details, I think it likely that my next book will be a historical one… though, to echo Deng Xiaoping, a historical novel with Pintoesque characteristics… *grin*

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Eastercon 2009…

Friday, May 8th, 2009
ricardo, slightly crazed at his launch, clutches the elixir of life... © 2009 Ian Sales

ricardo, slightly crazed at his launch, clutches the elixir of life... ©2009 Ian Sales

Eastercon was delightful, challenging and exhausting. I moderated panels for the first time and found that I really rather enjoyed it. I appeared on various others and, it turns out, being rather new to this convention malarkey, I had volunteered for more than perhaps I should have done… There’s a lot of drinking goes on at these things, and every night I was up carousing into the early hours – only to find that, bleary eyed, I had to get to the convention hotel early for yet another panel… This meant that I was unable to attend as many of the talks and panels that I would have liked. I did much enjoy watching Tim Powers being interviewed. Another highlight was a screening of a 1912 silent version of Frankenstein - accompanied by a wonderful live piano improvisation…

But what really makes a convention so enjoyable is the people. Imagine being locked into the Overlook Hotel with 800 souls whose interests intersect yours – for days! Everywhere gaggles discussing anything that you can (and that you can’t) imagine… I met a lot of fascinating people, some who I knew, others who I did not and I made some new friends. It was a particular pleasure to hang out with Gary Lloyd, and with Liam Sharp and his lovely wife, Chris. A prominent comicbook artist, Liam is branching out into books, the first of which, God Killers, is an amazing debut – vibrantly written, raw, visceral – with something of the brooding atomsphere of Beowulf and the earthiness of Robert E. Howard. What’s worse, there are some scenes in there I wish I had thought of!! ;O)

My friend Vince Docherty gave me a lovely intro at the launch of The Third God. I don’t do a lot of public speaking and so was quite nervous. I intended to speak for 4 minutes, but ended up talking for nearer 45 – the spirit of my books possessed me…

On my way home I did a radio interview for the BBC. After days of endless, unbounded conversation, it was hard to compress my chat down to such a minimal medium…

The week after, I went to London to hang out at various exhibitions, to see plays, to hook up with friends. I also had a meeting with my editor Simon Taylor. Over lunch we discussed what I might write next. We both fixed on one project and I have been working on it ever since…

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