silk scaffolding…

Friday, October 16th, 2009
reclining man...

reclining man...

This week’s life drawing class was harder for me than the last one… I wasn’t feeling zen enough – and so it was a bit of a struggle. But wherein lies the struggle? Mainly, I feel, it is in my desire for excellence… Of course, underlying this is a fear of failure… so that with each stroke, and at every stage of the drawing, I am fighting the anxiety that this is not good enough.

Why am I bothering you with this…? well, it is because this has a direct bearing on my writing. It seems to me that writing (and all creative endeavour) is a balance between ‘spontaneity’ and ‘control’… In me, the former has been very much under the shadow of the latter. (This is symbolized in the Stone Dance by a Sapient with his hands coiled around the throat of his homunculus… an image that has even deeper resonances for me than the one I’m pointing out here.) I fear free spontaneity – fear that what I am trying to do will slip through my fingers and disappear into the sand. So I hold tight to it. This explains much of the tortured cradle that I felt necessary to construct to support the building of the Stone Dance… the spirit of which has only recently sailed free… That cradle was of stones, as heavily build as a pyramid – and one of the main reasons it took me so long to write the trilogy. Now, however, I wish to find liberation from such labours… Thus, partially, the life drawing, where I am forced to confront my anxiety that what I build should at all times be visibly solid… Instead, what I am doing now is trying to learn to work with a scaffolding of delicately tensioned silk…

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life drawing…

Thursday, October 8th, 2009
woman on stool

woman on stool

Yesterday I began life drawing classes with my friend Adrian Smith. As you can see (if you follow the link) he is already a most accomplished artist. His reason for going is that “you can always learn more”: my reason might not seem so obvious – I am trying to loosen my method of working.

My method for writing the Stone Dance was VERY intensive. Besides, it is hard, when one grips on to something that tightly, to let go. Now that I’m working on something new, there is an ever present danger that I will slip back into my old (a decade long!) way of thinking. I judged that to assault this frontally was just likely to make my ‘habituation’ dig in… I don’t have separate compartments in my head for writing, drawing, or anything else creative – it forms a fluid oneness… Thus, by loosening up my drawing, I believe I am performing an outflanking manoeuvre on myself… that will free up my writing…

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