like the sun…

Tuesday, January 31st, 2012

East of the Sun, West of the Moon © 1913 Kay Nielsen

Carl Jung compared a human life to a single day, in which we are the sun rising, reaching to the heights, then slipping down to night. Today I am 51, and this image strikes me again now, as it did the first time I read about it. Jung maintained that the first half of life, for all its confusion and dissonance, is relatively easy, as, like the sun, we rise ever higher, casting our light over ever greater reaches, seeing ever further. Eventually we reach our midday, the midpoint of life. When this occurs varies, it seems to me: I am not sure if someone who dies in their 20s achieves their midlife in their teens. I suspect not. I suspect that this is like the sun being snuffed out mid-morning – a powerful metaphor for the shock of early death: psychically, a wrenching insult against the ‘proper way of things’. What is more problematical is whether, in any place or time where most people die at 40 (say), midlife is reached at 20 – I suspect so – that we map our lives, subconsciously, to the time we think we have. This leads naturally to how this perception changes when considering lives, like many lived today, in which people expect to live longer than their parents. I wonder indeed if this indistinct, slipping end point may not be part of the reason for some of our confusion about death. Not that that seems to me likely to be the main reason for such confusion; this surely has to do with the obsession we have with the morning of our lives – with youth. For what is this other than an obsession with keeping our gaze fixed on where we came from, rather than on where we are going?

Jung said that the secret to life is not the morning, but rather the afternoon. For it is then that our sun begins to descend to its ultimate quenching. Jung talked about a process he terms ‘individuation’ – that is the setting right of those things within us that are in disorder. Analogous, perhaps, to the feeling people often have who know they are soon to die of wanting to put their affairs in order. Certainly, by the end, we lose everything: literally everything. But it is not as if we reach our sunset carrying everything we have accumulated in life. Much of what we have had we will have lost: family, friends, our vigour, our hair, our teeth. But also, if we are wise: our fear, our confusions, our lusts, our greed, our gluttonies. Perhaps also, admittedly, our hope is lost (for I have no belief in an afterlife). Looking back to youth, an ever harder thing to do with failing sight and memory, is surely to get it all wrong? When moving forwards, looking back must be wrong. Worse, like any threat, death is more terrifying if you turn your back on it.

So, I am 51 today, and very happy to be so, happy to be in the afternoon of my life. Happy to accept that I no longer can find the right words in conversation, and that I forget all kinds of things all the time. My hair is performing a disappearing trick and many of my appetites have diminished. But I am more present than I have ever been – and that makes me see reality a little more clearly, and the time I have left moves more slowly. I am more at peace with myself. I value silence more, solitude, but also other people. I am more tolerant of my faults and failings, and thus those of others. I worry for the world, but do not feel any longer it is somehow all my responsibility. I do what I can. Most of all I advance, a step at a time, enjoying the view, trying to face in the direction I’m going…

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50 in New York…

Sunday, February 13th, 2011
ricardo in Times Square...

me in Times Square...

snowy Manhattan from the Empire State Building...

downtown Manhattan from the Empire State Building...

Something I’ve rabbited on about before is how the world is homogenising – the more I travel, the more it seems to me that everywhere is becoming the same. If this is even true for Sri Lanka, then how much more so is it for travelling between the UK and New York?

But before I go into that (I think this is going to become quite a ramble, but hopefully you will forgive me, now that I am becoming so very aged *grin*), I would like to lay before you a rather brilliant observation made by the peerless historian Arnold Toynbee that seems to explain why globalization naturally leads to cultural homogenisation.

Toynbee points out that this has happened before: in the Neolithic a flint spear point in western Europe would be indistinguishable from one being made on the same day in China. This is because, at that time, whatever innovations in technique these spear points might incorporate, the rate of innovation in technology (and culture) was far slower than the rate at which news of it could be spread. Once this rate of innovation started speeding up to be faster than the rate of spread, then regional cultures started emerging – the innovations piling up locally faster than they could spread to other cultures. Thus China became very different from Europe. However, in the past hundred years or so the rate of spread has dramatically increased – even though the rate of innovation has also sped up. With the internet anything innovated anywhere can quickly become known to everyone everywhere. So, welcome to the New Neolithic! The Cyberlithic where our stone tools now consist of silicon chips *grin*)

New York is of course remarkable – though perhaps as much for its associations as for what it actually is. It has been for so long ‘the’ world city that we all of us think we know it. There are people everywhere who probably have seen more of New York (through Hollywood’s charmed eyes) than they have the capital of their own country.

I had never been there before, and so there was that strange shock of seeing in reality that which I had seen in so many other virtual ways. The relationship of one thing to another, the geography, the relative and absolute scales of things – these were all different from those I had arrived with in my head.

I did all the touristy things – it seems only polite on a first visit. It was particularly cold, more so even than in Scotland! so I’m not entirely sure I saw the city as it is typically. New York is impressive – how could it not be? Wonderfully cosmopolitan – though perhaps not more so than London with which I am familiar. It has the same range of treasure houses – the Metropolitan Museum, for example, and the glorious (and vainglorious) examples of architecture that wealth adorns cities with. For some reason I kept on thinking that this would be how Babylon might have appeared to an ancient visitor – but then Babylon is perhaps much on my mind. Perhaps what most distinguished it for me from a European city is some of its infrastructure: Paris would be embarrassed to have her bowels riddled by the New York subway. Though simply functional it lacks some of the civic care and elegance that would be lavished on it by a European capital. One surprise: I had expected natives to be rude – that’s the cliché – but they weren’t. In fact the New Yorkers I encountered were the friendliest people I have come across in any Western city…

It was my birthday that led me on this winter visit to New York. A 50th should probably be made a fuss of, but I couldn’t bear having anything organized at home. Too much pressure. Besides, I’m really rather shy about attention – not so attention for my work!! *grin* In one way 50 is just an arbitrary number – if we counted in base 12, then the significant birthdays would be 12, 24, 36, 48, 60… and I would still be in my early 40s *grin* Not that I am trying to deny that there is something significant in these time markers. Jung had an image of life as being like a single passage of the sun through the sky. We are born and then, for the first half of our lives, we ascend, growing ever brighter, seeing ever further. When we reach our midday that is as high as we go, as bright. Thereafter, we begin the slow fading to our sunset. No wonder then that so many of us have ‘mid-life’ crises. Clearly, psychically, something profound happens to us as we near the midday of our lives, and once we become aware of our inevitable decline. Jung maintained that the morning of our lives, though filled with struggle, is relatively straightforward. It is the afternoon that it is difficult to deal with. And the secret of a good life is how we handle that. I passed my midday a while back (however much our lifespans are lengthening) but I am still coming to terms with being in the afternoon of my life.

Showering before going to catch my flight home, I began thinking of the life I was returning to. It occurred to me how strange it was that I should be thinking nothing of the crossing of the Atlantic. This vast ocean that for so long kept the Old and New Worlds apart, the crossing of which had profound effects that we still are living through. Images crossed my mind of all the people to whom that crossing was one way – and a vast, frightening and dangerous undertaking. That I had mentally ‘skipped over it’ shows again just how virtual our world has become. In the West we so rarely exit the envelope of human reality that often the ‘actual’ world hardly seems to be there at all. And even as New York seemed to me not very different from London… soon it will not seem so different to Cairo, Nairobi, Shanghai… And yet, even if I rode the virtual teleport of my aeroplane back home (admittedly a rather tedious teleport lasting 6 hours), this did not mean that below me there was not thousands of kilometres of cold heaving ocean.

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angels and visitations…

Tuesday, January 4th, 2011

Angels and Visitations by Rautavaara © Ondine


detail from The Garden of Earthly Delights by Hieronymous Bosch

When I am ‘actually’ writing I rarely listen to music, finding that its rhythms can interfere with those of the prose I am composing. However, when I am working on planning I often have something on in the background. I use playlists to accompany general ‘thinking’ – Harold Budd, Brian Eno, etc – and much baroque – Bach, Rameau, Couperin, Byrd etc. During more intense ‘thinking’ I might listen to Tangerine Dream, Piazzolla, Varese, Philip Glass.

When more focused on actual scenes, I have developed a habit of assembling pieces into a ‘soundtrack’: sometimes music that represents a specific theme or character in a process somewhat analogous to Wagner’s leitmotifs; or that I use to accompany a particular chapter. It is one of these last that I would like to present here.

Angels and Visitations is by the Finnish composer Einojuhani Rautavaara, one of several modern composers that I have found myself gravitating towards more and more as I have grown older. He creates soundscapes that I find exquisitely atmospheric and that mesh fruitfully with the images in my mind.

I listen to all my music from hard disks and have been unable to find the original CD with its booklet, however, what I remember (perhaps erroneously) is that Rautavaara wrote this piece as a reaction to a time when he was lying ill and perceived an angel to be standing at the foot of his bed; a being that utterly terrified him. This story found strange resonance with the Masters in my Stone Dance trilogy who consider themselves angels and are a terror to those they rule. Angels and Visitations formed part of a particular constellation of themes, but became the dominant soundtrack for the chapter Blood Gate in my book The Third God in which my trilogy reaches a final crisis of the utmost violence and atrocity.

Angels and Visitations is in itself a drama that it seems to me could only have been written post Freud. For beneath its Hieronymous Bosch surface (The Garden of Earthly Delights perhaps?) I sense there moves the leviathan of what Jung would call our collective unconscious, so that this piece does with sound what I feel works of fantasy seek to do with words.

(I have included a link above (and here) to Angels and Visitations because it seems to me rather pointless to discuss a piece of music without it being possible to listen to it. I realize that this may be seen as breaching copyright, however, I do this with the hope that it may cause people to go out and buy some Rautuvaara and thus that what I am actually doing is promoting his work)

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quincunx…

Saturday, December 4th, 2010

portuguese shield...


portuguese flag...

The quincunx is an object, an image, that has long exerted a fascination over me. It is not an uncommon symbol – after all it appears on one of the faces of every die…

Then, yesterday, the symbol again sprang into my mind in the context of the novella I am writing (Matryoshka) and I went to wikipedia to explore it a little – only to find the ‘Portuguese shield” staring at me… I was actually a tad stunned, since I’m not aware of having ever consciously noticed that those quincunxes were there – that they were at the heart of the flag of my country of birth. (Interestingly, the quincunx here apparently represents the five wounds of Christ that he received on the cross – those on his feet, his hands and the lance in his side..)

Then I recalled that I had chosen the quincunx as the armorial symbol for the gatehouses that give access to each of the five radial roads that issue from the Wheel, a marketplace in the City at the Gates, in my Stone Dance books. Now you may say that it is obvious to choose this symbol to represent five things. However, considering that Osrakum in some ways represents Portugal – or at least the Portugal of my childhood – in my ‘automythological’ understanding of the Stone Dance, that the entrance should be marked with the quincunx seems to me suggestive…

The more I learn of the way the subconscious acts in us, the more amazed I become. It is as if each one of us, bobbing along in our little personal rowing boat in the full light of consciousness, is shadowed in the deep waters beneath us, by an immense shape sliding in the depths of our hidden mind…

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entrevista com Diário de Notícias…

Friday, July 16th, 2010

Isto é uma entrevista que dei ao Diário de Notícias de 22/5/10… não é fácil ler o artigo assim, mas o texto também está aqui… As fotos foram tiradas num daqueles dias de chuva em maio – e estava muito frio – deve ser por isso que parece que tenho uma cara de enterro… *sorriso*

(edited text courtesy of Daniel Cardoso)

© Diário de Notícias 2010

© Diário de Notícias 2010


© Diário de Notícias 2010

© Diário de Notícias 2010


© Diário de Notícias 2010

© Diário de Notícias 2010

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