wiki books…

Monday, May 16th, 2011

wiki books

iPad ebook...

With my purchase of an iPad I have finally made the move to actually reading ebooks – about time! since I have (for theoretical reasons) long been a proponent of electronic reading. However, in hunting down an obscure book (a history of Byzantium written in 1892 in the ePub format), I discovered that it was full of typos and layout errors (probably because it was scanned using OCR). My first reaction was to correct these (a reflex for someone who spends his life working with digital texts) and, in truth, I may well have been tempted to do so had the ebook reader I was using allowed me easily to edit the text. Assuming such editing facilities – and I can’t imagine that, if they don’t already exist, they will take long in coming – and if I were motivated to correct the whole text, my next and natural step would be to return the corrected book to the internet so that other people might be able to read my ‘cleaner’ version… (as I do CD tags)

And this set me thinking. Even though my intention might be to correct typos only, I could well make corrections in error – that is, I could change the text. And what if I were more ambitious and deliberately set out to improve the text? This after all is what is being done all the time in various wikis. Surely it would only take a short step to consider a book as just another digital text that could benefit from improvement. Before you know it you would have countless versions of each book drifting around the internet.

Now, as an author, this somewhat alarms me (I have considered ongoing corrections of my own texts, but that’s another story) because I put a lot of effort into bringing my books to a state that I am satisfied with and I have all kinds of intentions behind what I write that might not be immediately obvious to a reader. What a reader might imagine to be an error, for example, might in fact be something deliberate that only comes into play somewhere deeper into the text. I don’t think it would be hard to knock up a list of what could go wrong with a wiki approach to books – and that’s without even considering deliberate defacement. My question is: how would it be possible to make certain this does not happen?

I would suggest to you that it could become much harder keeping a text ‘authentic’ than it might at first appear. You might argue, for example, that the versions of a text produced by a publisher will remain ‘quality assured’. There are assumptions made here about security – and we all know that the moment something becomes digitally traded on the internet it immediately becomes vulnerable to all kinds of ‘interventions’, both accidental and deliberate. It seems probable to me that texts may be even more vulnerable than other digital objects – in that if a word changes, who is going to notice? Unlike a program, it’s not going to suddenly stop working.

Beyond this, as the recent example of the recall of Jonathan Franzen’s Freedom shows, errors can even creep in during the publishing process. Although this article doesn’t appear to say it, my understanding was that these errors occurred because an earlier version of the text was printed – and that this was discovered entirely fortuitously by Franzen leafing through a published book and noticing something in it he knew he had corrected. (I think this is likely to be a cause of nightmares to authors – it certainly is to me.)

So, it seems to me that though the untethering of books from their fixed papery form frees them in all kinds of beneficial ways, it also carries this risk: that texts are going to become more tractable and that perhaps we are going to lose the notion of a definitive version of a text.

Before the advent of printing, books copied by hand were prone to countless errors and accidental changes. Before writing, the content of books was passed from one mind to another orally. I wonder if what we are witnessing is a return to that far more fluid form of ‘storytelling’…?

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50 in New York…

Sunday, February 13th, 2011
ricardo in Times Square...

me in Times Square...

snowy Manhattan from the Empire State Building...


downtown Manhattan from the Empire State Building...

Something I’ve rabbited on about before is how the world is homogenising – the more I travel, the more it seems to me that everywhere is becoming the same. If this is even true for Sri Lanka, then how much more so is it for travelling between the UK and New York?

But before I go into that (I think this is going to become quite a ramble, but hopefully you will forgive me, now that I am becoming so very aged *grin*), I would like to lay before you a rather brilliant observation made by the peerless historian Arnold Toynbee that seems to explain why globalization naturally leads to cultural homogenisation.

Toynbee points out that this has happened before: in the Neolithic a flint spear point in western Europe would be indistinguishable from one being made on the same day in China. This is because, at that time, whatever innovations in technique these spear points might incorporate, the rate of innovation in technology (and culture) was far slower than the rate at which news of it could be spread. Once this rate of innovation started speeding up to be faster than the rate of spread, then regional cultures started emerging – the innovations piling up locally faster than they could spread to other cultures. Thus China became very different from Europe. However, in the past hundred years or so the rate of spread has dramatically increased – even though the rate of innovation has also sped up. With the internet anything innovated anywhere can quickly become known to everyone everywhere. So, welcome to the New Neolithic! The Cyberlithic where our stone tools now consist of silicon chips *grin*)

New York is of course remarkable – though perhaps as much for its associations as for what it actually is. It has been for so long ‘the’ world city that we all of us think we know it. There are people everywhere who probably have seen more of New York (through Hollywood’s charmed eyes) than they have the capital of their own country.

I had never been there before, and so there was that strange shock of seeing in reality that which I had seen in so many other virtual ways. The relationship of one thing to another, the geography, the relative and absolute scales of things – these were all different from those I had arrived with in my head.

I did all the touristy things – it seems only polite on a first visit. It was particularly cold, more so even than in Scotland! so I’m not entirely sure I saw the city as it is typically. New York is impressive – how could it not be? Wonderfully cosmopolitan – though perhaps not more so than London with which I am familiar. It has the same range of treasure houses – the Metropolitan Museum, for example, and the glorious (and vainglorious) examples of architecture that wealth adorns cities with. For some reason I kept on thinking that this would be how Babylon might have appeared to an ancient visitor – but then Babylon is perhaps much on my mind. Perhaps what most distinguished it for me from a European city is some of its infrastructure: Paris would be embarrassed to have her bowels riddled by the New York subway. Though simply functional it lacks some of the civic care and elegance that would be lavished on it by a European capital. One surprise: I had expected natives to be rude – that’s the cliché – but they weren’t. In fact the New Yorkers I encountered were the friendliest people I have come across in any Western city…

It was my birthday that led me on this winter visit to New York. A 50th should probably be made a fuss of, but I couldn’t bear having anything organized at home. Too much pressure. Besides, I’m really rather shy about attention – not so attention for my work!! *grin* In one way 50 is just an arbitrary number – if we counted in base 12, then the significant birthdays would be 12, 24, 36, 48, 60… and I would still be in my early 40s *grin* Not that I am trying to deny that there is something significant in these time markers. Jung had an image of life as being like a single passage of the sun through the sky. We are born and then, for the first half of our lives, we ascend, growing ever brighter, seeing ever further. When we reach our midday that is as high as we go, as bright. Thereafter, we begin the slow fading to our sunset. No wonder then that so many of us have ‘mid-life’ crises. Clearly, psychically, something profound happens to us as we near the midday of our lives, and once we become aware of our inevitable decline. Jung maintained that the morning of our lives, though filled with struggle, is relatively straightforward. It is the afternoon that it is difficult to deal with. And the secret of a good life is how we handle that. I passed my midday a while back (however much our lifespans are lengthening) but I am still coming to terms with being in the afternoon of my life.

Showering before going to catch my flight home, I began thinking of the life I was returning to. It occurred to me how strange it was that I should be thinking nothing of the crossing of the Atlantic. This vast ocean that for so long kept the Old and New Worlds apart, the crossing of which had profound effects that we still are living through. Images crossed my mind of all the people to whom that crossing was one way – and a vast, frightening and dangerous undertaking. That I had mentally ‘skipped over it’ shows again just how virtual our world has become. In the West we so rarely exit the envelope of human reality that often the ‘actual’ world hardly seems to be there at all. And even as New York seemed to me not very different from London… soon it will not seem so different to Cairo, Nairobi, Shanghai… And yet, even if I rode the virtual teleport of my aeroplane back home (admittedly a rather tedious teleport lasting 6 hours), this did not mean that below me there was not thousands of kilometres of cold heaving ocean.

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the vanishing thickness of books…

Thursday, October 21st, 2010
fat book, thin book...

fat book, thin book...

[update: been meaning to put a link to this Robert McCrumb article in the Guardian that seems to agree with my thoughts in this post...]

A few days ago I discovered that the book I’m currently working on (working title: Matryoshka) is not in fact a novel, but rather a novella. Initially I was rather dismayed. After some investigation I realized that of course it was a novella – not only because it is going to be less than the 50000 words that (apparently) marks the boundary between novella and novel, but because it is a novella – look at this definition from mantex.co.uk:

The essence of a novella is that it has a concentrated unity of purpose and design. That is, character, incident, theme, and language are all focussed on contributing to a single issue which will be of a serious nature and universal significance.

What I am working on fits this description pretty snugly. Of course, this should not have been that much of a revelation since I’ve recently been rather fixated by… well… novellas, d’oh!

The reason I was dismayed is because it seems that mainstream publishers don’t much like publishing novellas. Once upon a time they did (The Time Machine, Death in Venice, Heart of Darkness) but in these more commercially-fixated times, they don’t. This seems to be because there are minimal costs associated with publishing any book and so a novella probably has to be charged at the same rate… Someone picking up two books that are almost the same price, but one is sliver-thin, and the other thick enough to prop a door open (a joke made to me often about my own books – and a not unreasonable point – after all a student riot should be able to see off even the best armed police with a few volleys of my books *grin*).

An aspect of ‘physicality’ is that it finds a different, perhaps more instinctive, way into our brains. For example, when I see a time such as 2:36pm on a digital display I always think – oh, that’s only 20 minutes away – so it is really 3pm and there’s no point in starting anything new (this mostly happens when I’m working……). However, if I see the same time displayed on a clock face, it suddenly looks much more like half an hour before 3 and that’s plenty of time to do something. 2:36 is a virtual form of the time, and we can easily play games with virtual things. A clock face is like looking at a sliced up cake – and the size of a wedge of cake is not something I for one ever make mistakes about!

Anyway, my core point is that once books move into a virtual form on an ebook – then their thickness will vanish into abstraction. Of course the number of pages will still be displayed for a book – but this is just one number versus another – not something you can ‘feel’… and this on a plethora of devices with different numbers of pixels, where the font size can be modified according to the preferences of the reader – all of which will change the number of pages that any book will span in the device… It seems to me likely that other aspects of the book will come to dominate the mind of the reader.

It seems to me that we are on the verge of a renaissance in shortforms. We are all so busy these days and there is so much out there to tempt us and to consume, that naturally people are gravitating to art that can be quickly and intensely enjoyed. Though I’m sure there will always be time for more leisurely pleasures, as with the ‘album’ in music – an artistic form dictated by the capacity of a standard vinyl disk – once freed of physical constraints, an artistic ‘object’ can find its own natural size and form. For me such a day of liberation cannot come soon enough…

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orange and teal…

Thursday, July 15th, 2010

from Transformers 2...

from Transformers 2...

A friend sent me this. I had noticed this kind of thing happening, but had, rather quaintly, put it down to something to do with ‘film stock’, or the use of digital video…

Beyond what Todd Miro says, what occurs to me is that this is yet another example of ‘virtualisation’… Before the advent of digital technology, filmmakers were forced to ‘push’ against the media they were working in… as artists in other media had to wrestle with the limitations of oil paint (here is an example of virtualization in this area), violins, typewriters etc… As the digital tsunami washes over ever more of our cultural world, there are no longer any limits except those imposed by the artist. On one side this could be seen as freedom; on the other, it could, as in this example, open the floodgates to homogenizing ‘fashion’…

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folding plug – saviour of the universe…

Thursday, December 10th, 2009

Min-Kyu Choi's folding plug (from iconeye)

Min-Kyu Choi's folding plug (from iconeye)

My brother pointed this out to me yesterday and it got me rather excited. Now first of all, for all of you outside the UK, this may be hard to understand. You may even think I’ve lost it. “Plugs? He thinks plugs are going to save the world?” But bear with me…

The reason this excited me – apart from the sheer elegance of Min-Kyu Choi’s design – was because it took me completely by surprise. Living most of my life in the UK, I have, with 60 million others (and a bit of googling reveals this- from which I learn that this kind of plug is also used in Ireland, Sri Lanka, Bahrain, UAE, Qatar, Yemen, Oman, Cyprus, Malta, Gibraltar, Botswana, Ghana, Hong Kong, Macau, Brunei, Malaysia, Singapore, Indonesia, Bangladesh, Kenya, Uganda, Malawi, Nigeria, Mauritius, Iraq, Kuwait, Tanzania, Zambia and Zimbabwe), been wrestling with our clunky plugs. They’re ok individually, but whenever you try and put them into an ‘adapter block’, you can end up with a rickety and dangerous cluster and sometimes, you just can’t force them together at all! But, like everyone else who has had to use these things, I have just assumed that they were as invariable a part of the world as the clouds in the sky.

Warning: I am about to make a logical leap that might not be to everbody’s taste… So, what this linked to immediately in my mind was global warming. While I hope things work out well in Copenhagen, it is quite possible they will not. So the world will heat up heading for what, I have no doubt, will be much disaster for our (and may other) species. If this comes to pass… our only hope then will be technological fixes. And this is where Mr Choi’s humble plug is for me a sign of hope. For humans are not good at imagining that the world they have known all their lives could suddenly change tomorrow. This myopia is one of the main failings that has got us into this trouble. However, the flip side of this is that we also can’t see what innovation might appear tomorrow. And, for all our failings, we ARE very inventive and there seems to me some hope in that…

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