the digital revolution…

Monday, October 5th, 2009

This article Jason Pinter (though, previously this was attributed to Jessie Kunhardt) has a point, but he’s not really saying anything that we didn’t know. What he doesn’t address is the ways in which ebooks ‘could’ expand the reading market. Not only in the obvious ways – providing easy access (distributively) to texts, portability, searchability, the ability to attach notes – but also in less-obvious ways such as the ability when reading non-fiction to access pictures, maps, recorded sound, video even. More fundamentally, he doesn’t seem to have considered how much of the problems books may be having might be due to the fact that they are seen as the very ancient form that he lauds. (As do I, but then I, perhaps like you, am a confirmed reader and so value its very antiquity).

The current world of books seems to me to be too much focused on commercial considerations and not enough on the reader and the reader’s reading experience… At a time when diversity and ‘customer’ choice has exploded exponentially in other media, in books there is a narrowing down – the Dan Browns of this world come to mind… At a time when all the old monolithic systems of the various media are collapsing – when the limitation on the means of production, the production costs and the distribution constraints are all diminishing – books seem to be retreating in the opposite direction – stuffing up their traditional production systems with ‘blockbusters’, many of dubious quality. Instead of presenting the reader with untold riches, they present her with a few, grey offerings that her grandmother might well have scorned *grin*

ebooks could unleash a tide of creativity – a renaissance in writing… and the readers might well respond to this renaissance with joy and even relief…

when Jason Pinter says: “More readers — that’s how we save publishing. So get on it.” – what he is talking about – ebooks – could be the very salvation he is urging us to find…

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Jackson’s Lord of the Rings (extended dvd version)

Monday, September 21st, 2009

Robbie and I watched the extended editions of Jackson’s Lord of the Rings over the past two weekends. I have come round to agreeing with some of my friends that these films are really quite an amazing achievement. “As good as any opera” is what Robbie said, *grin* In some places – particularly the first film – there were some extended scenes that were rather dodgy (not to mention the abrupt shift from day to night in Lothlorien)… Throughout, I found some of the extended scenes could be a tad ’soap-operaish’ – and they could slow down the narrative. On the other hand, they made all the various subplots hang together a lot better – Arwen and Aragorn’s love, for example, stuff to do with Eowyn… the extra scene between her and Grima… It made the whole thing more like an HBO series rather than films per se… The interweavings of these subplots – some of which were given far more stress (or invented entirely) than in the books – seemed to me skilfully done. This time round (I’ve only ever seen the films once before and that was in the cinema) I was far more appreciative of how Jackson had found cinematic ways of expressing literary aspects of the books… Gollum’s internal dialogue stood out as being particularly brilliantly realized… I still find the portrayal of the elves and their settlements (Rivendell, Lothlorien) rather weak… too much ‘arts and crafts’, too many candles lit on perfectly sunny days, too many scenes that looked like adverts from some lifestyle catalogue… not to mention the execrable ‘art’ – the concrete statues, the AWFUL murals at Rivendell (contrast these with the fabulous ones in Pella, in Oliver Stone’s Alexander – a film that in so many other places is so weak) – the whole effect for me was to often make Rivendell look like some kind of garden centre. I could also have done without Legolas’ ’skate-boarding’ exploits…

All this said, Jackson really has pulled off some kind of miracle. He has not only filmed the unfilmable, but done so in a cinematic way that is true to the books while not being slavishly so – in my opinion, in various places, even managing to improve on Tolkien’s narrative…

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