the vultures had forgotten how to fly…

Saturday, October 16th, 2010
vultures © selinaexperience.com

vultures © selinaexperience.com

I was drawn to this piece by the welcome news that the terrible disease rinderpest has been eradicated. However, as I read it I became irritated when I came to this innocuous enough paragraph:

As the virus spread, it left vast numbers of dead livestock in its wake, and communities without meat and milk. The loss of the animals, which were used to plough the land, crippled farming and led to widepsread starvation.

My irritation stemmed from knowing something about these “communities” that starved. In one of those consequences of Western imperialism that is still being conveniently forgotten, rinderpest, introduced by Europeans, devastated the pastoral cultures of East Africa. What we now think of as the ‘wild’ African plains may actually be the legacy of human action. The Serengetti, no less manmade than the rolling arable landscapes of England. The disaster that rinderpest spread across these parts of Africa led to large swathes of the human populations succumbing to famine. One Masai elder later recalled of the dead:

So many and so close together that the vultures had forgotten how to fly.

So that when Europeans arrived they found the survivors of the once proud and rich cultures reduced to beggary; people who, needing ‘civilized’, became part of the “White man’s burden”…

The consequences of this disaster live with us still and, in the West, we still persist in seeing these parts of the world as we have always chosen to see them – ignoring the truth even though it’s there in plain view. The Guardian article I link to above does not lie directly, as was once common, but the omission covered by that bland paragraph I quote seems to me bad enough…

Here’s an article I managed to tracked down that describes something of the relevant history of rinderpest in Africa.

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the Song to the Earth…

Saturday, May 1st, 2010
keyhole at Glastonbury © Michael Ely

keyhole at Glastonbury © Michael Ely

Ten years ago, at a conference in Maastricht, I ran into an American fan of my work who asked me if I would put some examples of Quyan speech on my site. I told her that I would…. soon…. Well, this isn’t really ‘soon’, but here it is (at the bottom of the page) nonetheless.

Forming part of the ritual of the Apotheosis, I have – rather melodramatically – added reverb to indicate something of the acoustics of the Pyramid Hollow. I’m afraid that it’s not very well ‘acted’ – but it was hard enough for me to speak it at all!

The Song to the Earth actually predated the writing of the Stone Dance. I didn’t fully understand what it meant at the time, though I did feel that it needed to go at the beginning of the trilogy. Later, I came to realize that it was the key that unlocks the puzzle that is the Stone Dance… as it is also unlocked my psyche…

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