the empty buddhas…

Saturday, August 6th, 2011

the empty buddha


the tallest Bamiyan buddha before the dynamite...

I was watching a TV program about Afghanistan where the presenter went to look upon the empty niche in Bamiyan that had once held a 55m high buddha carved from the sandstone cliff. This and other colossi were dynamited by the Taliban in 2001 because they considered them idols prohibited by the Koran. Being someone who has a profound reverence for history, I found this act of vandalism appalling.

There is serious talk about rebuilding the destroyed buddhas. What do such reconstructions of lost artefacts and monuments achieve? Surely, what makes such survivals valuable is that they have survived, and their authenticity; that those are the actual chisel marks made by people long ago. When we reconstruct something that has been lost – and there is a lot of this going on across the world – we are replacing something real with something that is fake.

Ultimately, everything physical that we make must disappear – that is the nature of things. There seems to me an unhealthy fetishism in feverishly trying to halt the passage of time. I am reminded of the somewhat creepy mummifying of Lenin. Everything has a life span, and then it should be allowed to die.

In the case of the buddhas in Bamiyan it seems to me that we are missing something quite profound. Why, after all, were these colossi constructed in the first place? No doubt it was an act of devotion. Also, a focus for contemplation. My next question is: what has actually been lost that matters? Consider how imperfect a representation of Buddhism the actual colossi have always been as things in themselves.

It seems to me that those empty niches contain far more potent representations of the buddha than the colossi ever were. What is left are buddha-shaped holes that have not lost their buddhas at all: we still see them there; we feel them there. These empty buddhas, that can never be destroyed (except perhaps by rebuilding them), are surely a more pure fulfilment of their purpose than wrought stone could ever be…

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Strange Horizons interview…

Monday, March 15th, 2010
strange horizons banner...

strange horizons banner...

The first review that I’m aware of that covers the Stone Dance as a whole can be found here… I’m rather pleased with it… however, a warning: it does substantially reveal the plots of the first two books and, perhaps, has some spoilers for the third…

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roots in the wall…

Sunday, January 17th, 2010
Avatar poster in China...

Avatar poster in China...

At a time when a great fuss is being made about Google’s sudden discovery of morality that has made them pull out of the Chinese market – it occurs to me that this apparent reaction in China to the film Avatar is suggestive. It is perhaps not the full frontal assaults of such ‘champions of freedom’ as American corporations or Western leaders lecturing their Chinese hosts about human rights that are going to bring down the Great Firewall of China, but rather the delicate tree-roots of mythology that connects all humanity…

(Incidentally, I wonder if the image shown here was selected because it resonates with a traditional ink and brush Chinese landscape painting?)

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Avatar…

Tuesday, December 22nd, 2009

Ney'tiri and Jake © James Cameron

Ney'tiri and Jake © James Cameron

Though strung together from cliches, this film still spun a fairytale that I found compelling – enough so that I became emotionally involved. Real images merge seamlessly with computer generated ones. I had only ever seen 3D used in “Beowulf” and Cameron’s use of it is far more subtle and powerful – at times, mesmerizing. The effect is by no means perfect, but neither was I left feeling it was merely a ‘trick’. The claims that this may once again lift the cinematic experience above that of watching our screens at home could well be proved correct. (Though I have read elsewhere that home 3D systems are already in development). So, one of those rare phenomena: a film that actually lives up – even surpasses – its hype.

(Incidentally, I kept finding aspects of the film that reminded me strongly of the Stone Dance – specifically “The Standing Dead”. I am not claiming any plagiarism here by Cameron, merely that, for me, it is yet another confirmation of Jung’s theory of our collective unconscious…)

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