a change of plans…

September 26th, 2011

persepolis © Roman Ghirshman

I have decided to postpone my visit to Iran by three weeks…

What happened is this. I had been hanging around in London waiting for an agency in Turkey to arrange for me a train from Istanbul to Tehran. A few days ago I was sorely disappointed when they informed me that the weekly train, leaving next Wednesday, was fully booked. By then I was determined to make this train journey and asked them instead to book the next available one – leaving Ankara on the 5th of October. I was waiting for news of this when, through a friend, I made the acquaintance of Lloyd Llewellyn-Jones, who happens to be a professor at Edinburgh University specialising in Achaemenid Persia. In the middle of giving me inspiring advice about travelling in Iran, he told me that he was hosting a conference on Persepolis in Edinburgh in mid-October and invited me to attend.

At first I thought to continue with my original plan, but the temptation to go to this conference grew in me until, this morning, I told him I would attend. I have asked my Turkish contacts to book train tickets for three weeks’ time, and I will be returning to Edinburgh tomorrow…

I will try and report my experiences from the conference – apart from wanting to go for the content, I’m also curious to see what they’re like – I’ve read so many collections of papers from such conferences. My understanding is that the achaemenid community is quite small, and that these conferences are rare beasts…

I’m really rather excited at the prospect :)

a new renaissance?

September 21st, 2011

a concert under Concorde...

Red Note Ensemble playing Philip Glass, Lammermuir Fesitval 2011

Sunday past I went to a performance of Philip Glass’ 1000 Airplanes on the Roof in a hangar, at East Fortune in Scotland, that has been built around a decommissioned Concorde. It was a promenade concert – allowing us to walk around as the piece – a “melodrama in one act” – was acted out, and the music played. I found the conductor Jessica Cottis to be more worth watching than the actor. She conducted Red Note Ensemble – a small chamber orchestra consisting of synthesisers, some wind instruments and a soprano – with amazing control, delicacy and precision: the whole a tad surreal as the musicians played beneath the belly of the giant ‘paper dart’ of the Concorde.

This was as mesmerising a performance as I have seen anywhere – not unworthy of New York, never mind rural Scotland! It was part of the Lammermuir Festival (my little house nestles in the foothills of the Lammermuirs) that is only (as far as I understand) in its second year and, from the size and enthusiasm of the audience, I can hardly believe it will be it’s last. That such an ambitious undertaking should even be attempted in the countryside near Edinburgh, and so soon after that city’s own massive festival, left me pondering…

Ever more people live on this planet of which an ever increasing proportion are becoming ‘educated’. Consequently, audiences for all kinds of art are swelling, as are the cohorts of artists and performers producing that art. That these ‘creators’ must surely form a normal distribution implies that there must be unprecedented numbers that are extremely skilled – including the Red Note Ensemble and their excellent conductor.

These things taken together may perhaps suggest an explanation as to why rural East Lothian might be capable of supporting an arts festival of its own. Could we be living in a new renaissance? Certainly there is more of every kind of art out there than there has ever been, and more people able to appreciate it. But perhaps more is less. Is so much art now being created that it is in danger of becoming a consumer product like any other…?

This was written a couple of days ago on the train down to London. Subsequently, I found that there was no wi-fi at my friend’s, where I am staying. Though he is wealthy, he is also a canny Scot and he refuses to pay what he considers to be an extortionate rate *grin* My mobile phone isn’t getting a dependable signal either, so that perhaps another conjecture could be floated considering the relative technological merits of rural versus metropolis…

Also I have been adapting to using my iPad as my sole computer, obtaining my visa from the Iranian Consulate, and investigating the possibility of flying to Istanbul from where I would take a train from there to Teheran… The prospect of a three day journey across Asia Minor is hard to resist :)

9/11 in a Mexican jungle…

September 11th, 2011

On the 11th of September 2001, we returned from a miraculous day wandering, eventually barefoot, through a jungle in the Mexican Yucatan, led by a Mayan girl to waterfalls that tumbled down steps gouged into smooth bowls in the soft limestone. Between the trees enormous blue crabs scuttled. At last, exhilarated, we found ourselves in the girl’s hut, a circular house with a palm frond roof and an earth floor and, bizarrely, satellite TV. As I politely handled bracelets and necklaces the girl and her mother had made, bright seeds and pods strung on wire, I was distracted by an image of furious violence on the screen; a skyscraper being pierced by an aircraft blossoming a fireball and smoke. I thought it was something from a James Bond film that I had not seen before. But my partner seemed alarmed and something about it did not look like a film.

As we were driven back to the hotel we had left the day before, we talked about this incredible thing we had seen, having learned from the driver that it was an attack on New York. We picked up a hitchhiker, a man in his fifties, an American. We asked him if he’d heard the news. He told us that he had, and that two of his children were in the towers.

Back in the hotel we located a TV in a corner of a lounge. We turned it to CNN and watched the news, trying to make sense of what was happening. Other guests, a Mexican family, asked for the sound to be turned down because it was disturbing their game of cards.

Over the next few days we exchanged emails with our family and friends back home. Amidst the calm and the heat of the Yucatan, hysteria and fear poured at us from those communications. American airspace had been closed down and the airplanes of the carrier that had brought us to Mexico were grounded. We talked about whether we should try to get home; whether we would even be able to get home. None of it felt real.

We decided to continue our holiday, daily hearing more from the UK of the terror and fear there. Around us everything was serene. A Mayan woman described in the guidebooks the tourists carried, a woman who stood in a particular square holding a bright parasol, took us, with others, into the homes of local people, poor people. People who, having little, had crates of Pepsi that they used as a sacramental fluid in their religious rituals. Our guide had the demeanour of a saint as she told us about the lives of her people, and of the terrible civil war that had recently ravaged their land. Afterwards, we asked her if she had heard of the attack in New York. She had. I asked her what she thought of it. She said she was sorry for the loss of life, but that the Americans had brought her people a lot of harm, and to so many others in Latin America. She felt that this was something they had coming. What they were suffering now others, vastly more than had died in New York, had suffered. She asked me: Why is their suffering more important than that of these other people? She said that she hoped it would make the Americans open their hearts to others, to use their power more responsibly, to be kinder…

my journey to Iran is on…

September 8th, 2011

Persian guard, relief at Persepolis... ©Roman Ghirshman

Ok, I’ve received the code notification that has been sent to the Iranian Consulate in London authorizing them to give me a visa. I received the news last night with some relief. Now that it is real, I am going to have to make all the preparations in earnest for the trip.

I have been in love with Persia, specifically ancient Persia, since I was a child. So this trip is going to be for me something of a pilgrimage. When I completed the structure for my novel set in ancient Persia quite recently, the notion to go to Iran came to me spontaneously – and, specifically, when I realised that there was still time to get there at around that part of the year when my characters are going to be moving across the same landscapes. My intention is to traverse the same path as my characters, observing the landscape, eating the food (I know it’s different now from what it was then), and looking into the faces of the people and watching their body language. Smelling the smells; feeling the weather on my skin. I have read that the light in Iran is peculiarly limpid and that this has a way of making colours more intense. It is likely that I am only ever going to write a single book set in Iran and thus it seems foolish, since I have been long determined to visit the country, not to go now. I wish to infuse the visceral reality of Iran into my work.

I am travelling on my own and am taking my iPad and have been told that wi-fi is available in hotels and bus stations. If this fails I will haunt cybercafes. By hook or by crook I intend to share my experiences through this blog with whoever is interested – hopefully you! *grin*

learning Persian…

September 1st, 2011

Libyan civil war graffiti

Libyan graffiti...

I am waiting to see if the Iranians are going to give me a visa – and, if it comes through, I should be off to Iran in a couple of weeks. I am a tad nervous about the visa because, against the advice of a friend of mine who has been to Iran, I wrote “author” for my occupation. He had expressly told me not to put “writer” because it could lead to the Iranian authorities thinking that I am a journalist and, for obvious reasons, they’re not keen to have such as visitors. Why did I do this? Well, because a ‘writer’ is what I am; what I do – and I don’t feel comfortable passing myself off as something I’m not…

While I wait (I have completed the ‘design’ for my Persian novel), I have been trying to learn Farsi. It seems to be an elegant and logically constructed language. I can now read it reasonably easily – and, suddenly, find that Arabic (Persian has been using essentially the same orthography since the Conquest, with the addition of some unique characters) has stopped being a bunch of squiggles (however beautiful) and actually makes sounds in my head. I noticed this last night watching the news from Libya – I could suddenly recognize letters in the graffiti scrawled on walls, and could begin to spell out words; my meagre skill should be good enough to read street and bus signs. This does beg the question: why don’t more of us spend the tiny effort needed to make at least this much of an approach to the ‘other’…?