art by committee…

Sunday, July 22nd, 2012

a horse….

A friend of mine sent me this article and asked me what I thought about it…

Well, I champion all kinds of advances in technology – not least the advent of the ebook – however there is the ever present temptation that because we can do something that we should do it. The creeping digitisation of everything – from music to video, and now books – makes all of these media infinitely malleable to anyone who can afford a computer; a device that is becoming an universal ‘solvent’. Digital objects together with the internet must surely eliminate traditional distribution systems (with their limitations of penetration of, and consequently of access to, that distribution). For good or ill, the marriage of computer and internet is bound to tear down not only the traditional gatekeepers of all the medias (publishers, record companies etc), but also the gates they guarded and must, ultimately (barring the intervention of political ideologies and/or corporate imperialisms – though these interventions, I believe, must ultimately fail), give everyone access to everything digital… Though this outcome forms a part of my creed, I have made the statements above because I believe that these freedoms are inherent in the structure of the internet – or, at least, in how that structure is likely to develop given human nature.

Evolution of the internet could lead to all kinds of blissful outcomes one of the greatest of which, surely, would be that an artist can freely create and give (how an artist is recompensed sufficiently to allow ongoing creation is another issue) his or her creation to whoever is interested in experiencing it. However, though the internet tends to thin the boundary between an artist and the experiencer of his or her art, much (all, even) could be lost if this boundary thins too much: the experiencer must not begin dictating the nature and content of the artist’s creations. I say this not because I believe this would be detrimental to the artist primarily, but because the real victim would be the experiencer – for surely any value that the art may have for that person is that it provides a unique expression of the artist’s psyche, and that it comes from the viewpoint that he or she occupies in the world.

The notion that we should use ebook technology as a way to enable readers to control what a writer actually writes is abhorrent to me. How could this not further increase the already overpowering commercial pressure on an author? How could it not end up with all books converging on the same book – a book effectively written by a vast committee?

It seems to me that the beauty of a flower is not likely to be best realized by attempts to force open its bud…

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climate flicker…

Wednesday, July 4th, 2012

©ellenrixford.com

No doubt, wherever you may be, you have been experiencing anomalous weather conditions for several years. We are constantly being told that this winter is the coldest since records began; that this summer the driest, this quarter the wettest, this spring the earliest. Though many of us suspect that this must have something to do with global warming, we are told that there is not enough evidence at present to prove that.

As I understand it, the nature of complex systems is that they can be in one of several stable equilibria, and that the transition from one to another, can sometimes be instant, and at other times be accompanied by violent oscillations. A lightbulb, on the verge of failing, often flickers of and on repeatedly, until it finally goes dead.

Spring is an example of the complex system that is the weather, shifting from one steady state, to another. In my experience, winter does not shade gradually into warmer weather, but rather it ‘flickers’ between ‘winter’ and ‘summer’ weather, often several times during a single day.

I have been wondering if the anomalous weather we have been experiencing in recent times, is another example of this phenomenon – an analog to the ‘spring transition’ that is occurring on an extended time scale – and that we are living through the oscillations as our climate shifts out of the mode that we have experienced so far in our lives, into a new, man-induced mode; a new stable climate state that may be very different from what we know… No doubt there will be winners, but I suspect most of us are going to be losers – and whatever happens, it seems the roulette wheel is already spinning…

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state of play…

Monday, July 2nd, 2012

cover mock up © Adrian Smith & Ricardo Pinto

When I came back from Iran, towards the end of last year, it no longer felt the best time to dive in deep into something as challenging as my Persian book. Over the summer months I am far more sociable than at any other time of year, and thus more distracted… So, I decided it was best to set the Persian book aside and, instead, I threw myself into writing a sci-fi novel set in and around my home in East Lothian – a dark story somewhat in the John Wyndham manner… I was making good progress with this when a graphic novel project, that I had been working on in the background with my friend Adrian Smith, burst into life.

Writing, scripting and storyboarding graphic novels has turned out to be very natural for me – and, as I’ve written before, given how ‘visual’ my books have been thus far, this is hardly surprising… Adrian and I started off on a project called Malta in September 2010 – and, though I produced a complete design, and Adrian did perhaps half a dozen pages, somehow it lost impetus (though I am currently absorbing it into a new project that I am developing with Adrian). It was our first attempt to work together (after the work we did on Kryomek back in the 90s) and we both learned a lot from it.

Our current joint project, entitled War in Heaven, is the first of several books centred around our heroine Eve Ryman, and is our retelling of part of John Milton’s Paradise Lost. It is now complete and we seem to have found a publisher for it in a US startup called Madefire. Madefire has just launched an app for the iPad and publication would, initially, be exclusively on that platform…

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