Chinese martial arts…

Thursday, October 29th, 2009

Zhang Ziyi...

Zhang Ziyi...

I was watching the ravishing “House of Flying Daggers” for the second time the other day, and was again struck by how utterly beautiful Chinese martial arts can be. I find them far more compelling as ‘dance’ than I have ever found ballet, for example – and it does seem to me that martial arts plays the same role in China (perhaps less so in Japan) as ballet does in Europe… I studied T’ai Chi (that is the yin, or ‘soft’, side of Kung Fu) for years and so am aware of how profoundly aesthetics informs that martial practice. In T’ai Chi, aesthetics and function are inextricably intertwined… I know this relationship is there in many aspects of Chinese culture. I suspect all of this says something significant about how Chinese culture differs from that of Europe.

On a lighter note, it amuses me to consider how the Chinese have managed to turn ‘dancing’ into a form of warfare *grin*

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travel…

Wednesday, October 28th, 2009

the Pantheon dome...

the Pantheon dome...


Saint Peter's Basilica...

Saint Peter's Basilica...


an Etruscan object in the Vatican Museum.../caption]

a corridor in the Vatican Museum...

a corridor in the Vatican Museum...

an Etruscan object in the Vatican Museum...


in the Colosseum...

in the Colosseum...

For most of last week I was in Rome. This was the first time I have ever been to Italy. In spite of my love of everything ancient, the Romans have never been a culture that has appealed to me. Nevertheless, I am fully aware of just how much we are still in their shadow… and so it would be strange indeed not to wish to visit the Eternal City.

What with global warming, never mind the cost of travel, I am conflicted whenever I become a tourist – especially as I have found that travel can ‘narrow the mind’… I suppose I should explain what I mean by this. The notion that travel “broadens the mind” relates, it seems to me, to a period before TV (and certainly before the internet). A time when what people knew about the world was often distorted through their own ‘cultural lens’… not just a sort of game of Chinese whispers, but actual prejudice: the ‘other’ worshipped wrongly, or, worse, worshipped entirely the wrong gods. They ate strange (probably disgusting) food. They had dubious morality or the wrong colour of skin. This ‘lens’ distorted not only the present, but also the past. All you have to do is consider Hollywood epics (more recent ones are now attempting some reflection of the truth) to see what an entirely fantastic confection of history these present… In this context, and in contrast to it, of course travel “broadened the mind” – how could it not?

Things have changed. For most of us, the ‘other’ is living among us. We eat their food and, as the conviction in our own religions falters, their beliefs often seem just as plausible as (perhaps even more so than) our own. Our TV screens let us see the rest of the world in ever increasing detail and clarity. From the comfort of our homes we can peer at the most exotic creatures, anywhere, at any scale, watching the most intimate aspects of their lives. Not for us the dodgy dolphins of the Renaissance; or Dürer’s rhino… We’ve seen the real beasts!

Now, like you, I’ve seen most every famous ancient ruin many times… close up… without the crowds… with some elegantly informative voice-over… on TV. When you have only heard rumours or legends of a ruin, then standing in front of it must be quite some experience… When you have seen it exquisitely presented in a documentary, standing in front of it can often be a let down… I found this with Angkor Wat, with the Temple of Karnak in Egypt, with the Pyramids, for frot’s sake!!! Crawling with tourists and locals trying to sell you tat, embedded in some modern suburb of just another city; any ancient ruin can easily be an anti-climax. My point being that the images you have in your mind of these places might well be ‘better’ than the real thing…

You may now be able to understand something of my reaction to wandering around Rome. Of course it is spectacular, beautiful – but less so than I had expected. The Pantheon was amazing – because it is NOT a ruin, and thus, when you are in it, you may as well be in ancient Rome. It is, besides, a stunning space that can bear comparison with any other I have ever been in. The Colosseum I found impressive – once in it, you are cut off from the rest of the world. The Basilica of St. Peter seemed to me rather vulgar… intended entirely to overpower and to demonstrate wealth… a LOT of wealth! But in the tide of tourists, the building had as much sanctity as a mall… The Vatican Museum, on the other hand, was breathtaking. Of course, the experience of moving through it is also entirely designed to impress on the visitor the mind-boggling wealth of the Popes and the glory and sheer antiquity of the Catholic Church. It is, besides, a befuddling sequence of corridors and courtyards stuffed full of the most exquisite treasures – it felt like a dream…

But then Rome is just another modern city and the culture of its people hardly distinguishable from my own… so that I was left wondering what was the point of using so much fossil fuel to get me there… The ever increasing sophistication of transmission technologies allow us to ‘telepresence’ – to be in Rome virtually – any Rome, not just today’s, but yesterday’s… Strangely, I feel that I can better justify to myself travelling further afield – because, at least, there is a chance of meeting something, someone that is genuinely ‘other’… though, with every passing year this ‘otherness’ is slipping away…

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google editions…

Sunday, October 18th, 2009

Google are potentially manoeuvring in a way that may make them the next Microsoft… that said, they tend to champion open standards (perhaps because they don’t need to control through proprietary formats, being as they aim to control the whole Web *wry grin*) – and I’m all for those. So I cautiously welcome the announcement that with Google Editions they’re going to compete with Amazon’s Kindle – that is a closed system and has already shown itself to be dangerous to ‘textual freedom’…

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silk scaffolding…

Friday, October 16th, 2009
reclining man...

reclining man...

This week’s life drawing class was harder for me than the last one… I wasn’t feeling zen enough – and so it was a bit of a struggle. But wherein lies the struggle? Mainly, I feel, it is in my desire for excellence… Of course, underlying this is a fear of failure… so that with each stroke, and at every stage of the drawing, I am fighting the anxiety that this is not good enough.

Why am I bothering you with this…? well, it is because this has a direct bearing on my writing. It seems to me that writing (and all creative endeavour) is a balance between ‘spontaneity’ and ‘control’… In me, the former has been very much under the shadow of the latter. (This is symbolized in the Stone Dance by a Sapient with his hands coiled around the throat of his homunculus… an image that has even deeper resonances for me than the one I’m pointing out here.) I fear free spontaneity – fear that what I am trying to do will slip through my fingers and disappear into the sand. So I hold tight to it. This explains much of the tortured cradle that I felt necessary to construct to support the building of the Stone Dance… the spirit of which has only recently sailed free… That cradle was of stones, as heavily build as a pyramid – and one of the main reasons it took me so long to write the trilogy. Now, however, I wish to find liberation from such labours… Thus, partially, the life drawing, where I am forced to confront my anxiety that what I build should at all times be visibly solid… Instead, what I am doing now is trying to learn to work with a scaffolding of delicately tensioned silk…

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hardbacks…

Wednesday, October 14th, 2009
hardbacks...

hardbacks...

According to Simon my editor, hardbacks are quickly becoming a thing of the past… It is only in the genres (fantasy specifically, apparently) that hardbacks still sell at all. The Third God seems to be part of this trend. 3000 were printed by Transworld, and there are 600 or so left. 1000 of them have sold outside the UK. Simon told me that most ‘mainstream’ authors are lucky if they sell 500 hardbacks. Most only sell 200. So I am really rather pleased…

In spite of my belief in the coming benefits of ebooks, I will be rather sad if (and when) the hardback dies… It is still the culmination of more than 1600 years of the paper book as a device…

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