fórum fantástico…

August 9th, 2010
forum fantastico...

forum fantastico...

I am delighted to be able to have accepted an invitation to attend Fórum Fantástico 2010 in Lisbon in November.

Fui convidado a atender O Fórum Fantástico 2010 em Lisboa em novembro e aceitei com grande prazer

going barefoot…

August 2nd, 2010
standing on Mother Earth...

standing on Mother Earth...

I had a revelation some years ago while camping with some friends when, over three days, I went barefoot. Not only did I discover that my feet could cope with any kind of terrain (by changing shape, they proved to be the best all terrain ’shoe’ *grin*) but, more importantly, I realized in what a profound way feet ‘feel’ the earth. We clump around our world with ’space suits’ on our feet – as if we are walking on an alien planet. Another way to think about it is that we inflict deliberate leprosy on our feet – making them entirely numb and ‘blind’ to the earth.

Various conclusions seem me to arise from this. Firstly, that what we fear seems predominantly be the human environment – the danger of broken glass, for example: it is in our cities that we feel footwear to be most essential. Then there is a notion of ‘pollution’ – that we might inadvertently stand on some dog shit. How many of us can’t even walk on gravel without behaving as if it were white hot. We seem to believe that our feet are too delicate to walk naked on anything harder than a rug. Tough, of course, the human foot is as perfectly developed for walking on the earth as any hoof or paw. (It’s possible that we’ve evolved a more delicate foot – but I’m not convinced we’ve been wearing footwear long enough for this to have happened.)

And here is what I consider to be most important: if it is the case that footwear is one of the ‘gifts’ of civilization – is it possible that this profound numbness to the earth: to soil, to stone, to stream, to boggy ground, to plants, to sand (perhaps the only one we regularly walk on – and, interestingly, one of the most sterile) – is it possible that it walks hand in hand with the literal disconnection from our planet that makes it easier to despoil, pollute and destroy her?

I play with some of these notions in the Stone Dance. It is the Masters who make a phobia of touching the earth. The Plainsmen are not entirely free of this prejudice, at least their men are forbidden to walk barefoot upon the earth – though here it is, perhaps, the result of a too strong matriarchy and, really, this is the flip side of the Masters’ neurosis

It seems to me that much could be gained by moving towards – if not walking barefoot – the development of some kind of footwear that would allow as much sensation to come through to our feet as possible…

As ‘civilization’ marches on, more and more people are cutting themselves off from touching, daily, Mother Earth. Soon, not one of us will stand barefoot upon her and that seems to me a dangerous divorce…

entrevista com Diário de Notícias…

July 16th, 2010

Isto é uma entrevista que dei ao Diário de Notícias de 22/5/10… não é fácil ler o artigo assim, mas o texto também está aqui… As fotos foram tiradas num daqueles dias de chuva em maio – e estava muito frio – deve ser por isso que parece que tenho uma cara de enterro… *sorriso*

(edited text courtesy of Daniel Cardoso)

© Diário de Notícias 2010

© Diário de Notícias 2010


© Diário de Notícias 2010

© Diário de Notícias 2010


© Diário de Notícias 2010

© Diário de Notícias 2010

orange and teal…

July 15th, 2010

from Transformers 2...

from Transformers 2...

A friend sent me this. I had noticed this kind of thing happening, but had, rather quaintly, put it down to something to do with ‘film stock’, or the use of digital video…

Beyond what Todd Miro says, what occurs to me is that this is yet another example of ‘virtualisation’… Before the advent of digital technology, filmmakers were forced to ‘push’ against the media they were working in… as artists in other media had to wrestle with the limitations of oil paint (here is an example of virtualization in this area), violins, typewriters etc… As the digital tsunami washes over ever more of our cultural world, there are no longer any limits except those imposed by the artist. On one side this could be seen as freedom; on the other, it could, as in this example, open the floodgates to homogenizing ‘fashion’…

the invisible gorilla…

July 14th, 2010
the invisible gorilla © Daniel Simons

the invisible gorilla © Daniel Simons

I have just read an article about a famous experiment (that you can try for yourself here…) in which a large number of people focusing on counting ball passes on a video are completely unaware of someone in a gorilla suit walking on screen, beating its chest to camera, then walking off. This counter-intuitive result is used to show how blind we can be to what we’re not paying attention to…

This issue of attention is interesting enough, but something else occurred to me (actually, this occurs to me quite a lot *grin*): that human vision is nothing like a series of images caught on film or video – in which each frame is recorded with every detail that the camera is capable of recording. This analogy may seem an obvious one to make, but it is wholly false. We have the illusion that we are seeing a complete picture, but in fact what we see is much more analogous to the way in which we parse a sentence – a sequence of words that, together, when processed by our brain, conjure up a complete meaning. Let’s not go into what the exact equivalent of ‘words’ might be in what we are seeing – what is seems to me interesting is that we similarly construct the ‘meaning’ of what we’re seeing by assembling it from a few large pieces – and the pieces that we choose to build our ‘visual sentence’ from are determined by what we’re paying attention to. Thus, because we’re not paying attention to it, the gorilla simply is not one of the ‘pieces’ and so forms no part of what we ’see’…